reader. It should be added that our author in his "Causeries" tells of a flattering and unexpected sequel to this book. It so inspired a poor potter of Bourg-en-bresse with an ambition to emulate its hero, that he studied and worked until from artisan he developed into an artist. Meurice is said to have been the collaborator in this instance.
"Gabriel Lambert" is the last chief product of this extraordinary year. Dumas professes that this story is true, and that he has met and spoken with the chief personages. "Gabriel Lambert" recalls "Richard Darlington," with a difference, for this novel is less a story of unscrupulous ambition, than a study of cowardice, made with a touch of that poignant realism which has since become so popular. The "forties" proved the most brilliant and most productive period of Dumas the novelist. In 1845, the year following his great double triumph, the author produced (in addition to "Une Fille de Régent" and "Vingt Ans Après," already mentioned) "La Reine Margot," "La Guerre des Femmes" (or "Nanon"), and "Les Frères Corses."
First of the Valois romances as was "La Reine Margot," we must not forget that the success of "Henri Trois et sa Cour" many years before, had given the author a love for this historical period. The fatal passion of St Mégrin is repeated in the
