just previously. We may also briefly dismiss "Le Chasseur de Sauvagine," a charming story, the whole credit of which Dumas frankly gives entirely to his friend and collaborator, the Comte de Cherville. In spite of this avowal the authorship has been claimed by experts for Dumas, and in any case the story is well worth reading. It follows the fortunes of a Normandy wildfowl-hunter, and tells of his love, his sin, and his repentance. The story contains qualities not generally acknowledged to be possessed by our author, being in marked contrast with his better-known style. "Le Fils du Forçat" (or "Monsieur Coumbes"), published the following year, has also been ascribed to Dumas, and suggests the same collaborator as the previous work. Although the scene is laid in Marseilles, the tale resembles the "Chasseur" in manner. It is really a study of a "little" nature—that of Monsieur Coumbes, to wit, and is simply yet powerfully told. A splendid edition of "Le Fils du Forçat" was published in France not long ago.
"Les Louves de Machecoul," a product of 1859, deserves fuller notice. This tale gives the reader a graphic account of the rising in La Vendée in 1832, caused by the Duchesse de Berri—a description all the more trustworthy because, as we know, the author had not only foreseen the occurrence, but had visited the Royalist West a year or two
