the author during the past twenty years. The "pace," is now comparatively slow; one is no longer swept off one's feet, as with the "Mousquetaires." The author unfolds his tale deliberately, but with much of his old charm, stepping carefully from document to document, and weaving half a score of threads together with a patience and dignity of style akin to Scott. "La San Felice" was followed by "Emma Lyonna," in which is told the story of Lady Hamilton's career, being a picturesque version, it is said, of that fascinating woman's "Memoirs." A supplementary sequel, "Les Souvenirs d'une Favorite," appeared in 1865. Lady Hamilton played a prominent part in the events described in "La San Felice," and Dumas was evidently led on by his interest in that picturesque personality to make her the central figure in succeeding volumes.
Readers who are inclined to disparage Dumas's later work, particularly the products of the "sixties," are advised to try "Parisiens et Provinciaux," issued this year, written with the Comte de Cherville. The scene shifts from Paris to the neighbourhood of the author's beloved Villers-Cotterets, and is in fact a humorous comparison of the city cockney (typified in the delightful person of M. Peluche) and the "rustic" Madeleine. The story might have taken the title of the author's first little play "La
