century. It suddenly ceased to appear, and was never heard of more. But although the romance is not now accessible, a wretched American translation published at the time, and happily preserved, shows that the story has been underrated by M. Ferry. Some of it, indeed, is excellent, notably the chapter in which Corneille is introduced to the précieuses ridicules of the day; and Richelieu's intrigues, and the incident of the "day of dupes," are Dumas as we know him best. The period of "Le Comte de Moret" just precedes that of the "Mousquetaires."
Two of the last volumes of fiction from the pen of the fast-ageing writer were of the revolutionary period.[1] "Les Blancs et les Bleus" (1867) like the "Compagnons," was suggested by Nodier's "Souvenirs de la Révolution," and Dumas in acknowledgment introduces his old friend into the story. It is interesting chiefly for the dramatic episode of Euloge Schneider the "red," who bargained for the hand of a Royalist maiden, as the price of her father's life. "Les Blancs et les Bleus," the scene of which is laid in Strasbourg in December 1793, was dedicated, with a gleam of the author's old wit, to the memory of Nodier, his
- ↑ "La Terreur Prussienne," although technically a novel, derives its chief interest and value from its historical matter, and is therefore dealt with in that capacity.
