in the library of the Vatican, and is, Glinel tells us, "une grande fantaisie sur Rome ancienne." It is not now accessible. The "Mémoires de Talma," on the other hand, were written by Dumas from memoranda left by the great tragedian, and have been recognised by Fournel, J. Cherbulicz, and others, to be practically a biography of the actor, written by his young admirer, in after years.
One other work also stands in a class by itself. This is "Crimes Célèbres," which appeared in 1839-40. The series was founded on the "Causes Célèbres" of Gayot de Pithaval; the excellent material afforded by that industrious person was divested of formality and tediousness, and rewritten with all the animation and dramatic effect for which the novelist was noted. The records were compared by Dumas with the best authorities on the subject, and the romances of real life written with scrupulous attention to accuracy. Arnould, Fournier, Fiorentino, and Mallefille were responsible for some chapters, which consisted of the following: "Les Borgia," "La Comtesse de St Géran," "Jeanne de Naples," "Nisida," "La Marquise de Brinvilliers," "Les Cenci," La Marquise de Ganges," "Karl Ludwig Sand" (the murderer of Kotzebue), "Vaninka" and "Urbain Grandier." (This last was dramatised by the author.) The whole scheme of
