An incident which we find in the "Mémoires' gives us an interesting insight into the author's skill and knowledge of stage-craft. Whilst Dumas was busy writing "Richard Darlington" with Goubaud, he stopped short at one point, unable to advance. It was at the crisis when the ambitious Richard, anxious to get rid of Jenny, his plebeian wife, so that he may marry into higher society, determines to make away with her. Someone is coming up the stairs; if the existence of this wife is discovered by the newcomer, all Darlington's plans will be overthrown. The only obvious resource is to throw Jenny out of the window into the rushing torrent below. This is where the skilled dramatist discovers and resolves a problem of stage-management. It would revolt the audience to see a woman struggling for life every inch of the way to that window; it would make them laugh, if the husband, in lifting his victim to hurl her to death, should expose her ankles.
At length the idea came, and Dumas like Columbus with the egg, broke the end, and made it stand, thus:
Darlington threatens Jenny; she rushes towards the balcony, crying for help. He follows her, closing the folding doors of the recess behind them. "A cry pierces the silence. Richard strikes the doors with his fist, they fly open and disclose him on the
