It was in the next few years that Dumas, in the interval of travels and foreign residence, wrote the three comedies which seem destined to outlive his dramas, and to prove in the future the sole support of his reputation as a playwright. These were "Mademoiselle de Belle-Isle," "Un Mariage sous Louis Quinze," and "Les Demoiselles de St Cyr." These plays, which sparkle with wit and are alive with interest, are still in the repertoire of the Comédie Française. The "Mariage" was "commanded" by the responsible Minister (fancy the Home Secretary ordering a play from Mr Grundy for the Lyceum!), was written in Italy, and sent in to the theatre. On the author's return, his enemies in the company told him gleefully that the comedy had been rejected. Dumas quietly produced the Minister's letter, and informed the dismayed actors that they had no option but to play it, whether they liked it or they didn't. Tableau!
Dumas now led a roving life. In 1838 he had visited Belgium and the Rhine; two years later
knelt at her feet, throughout her agony, praying, with a heart full of faith. Thou hast seen me, oh God, go with her on that last sad journey, when Death's hand bowed my back and bent my gaze on the crucifix, and Thou didst count the tears that one by one streamed from my eyes on the feet of Thy Son. I asked, oh God, that Thou wouldst delay for a while, however brief, the last parting of mother and son. To purchase life for her I would have sold my own. It was not Thy will be Thou blest, oh my God!")
