to appear in his writing that the sentences in his diary wherein he refers to the appearance of the De Witt range are striking evidence of his revulsion. "The mountains which presented themselves to our view in this situation, both close to the shore and inland, were amongst the most stupendous works of nature I ever beheld, and it seemed to me are the most dismal and barren that can be imagined. The eye ranges over these peaks, and curiously formed lumps of adamantine rock, with astonishment and horror." He acknowledged that he clapped on all sail to get past this forbidding coast. The passage is singular. Flinders was a fenland-bred man, and, passing from the low levels of eastern England to a life at sea in early youth, had had no experience of mountainous country. He had not even seen the mountains at the back of Sydney, except in the blue distance. Now, the De Witt range, though certainly giving to the coast that it dominates an aspect of desolate grandeur, especially when, as is nearly always the case, its jagged peaks are seen under caps of frowning cloud, would not strike a man who had been much among mountains as especially horrid. Flinders' burst of chilled feeling may therefore be noted as a curious psychological fact.[1]
- ↑ The reader will perhaps find it interesting to compare this reference with a passage in Ruskin's Modern Painters, Volume III., chapter 13: "It is sufficiently notable that Homer, living in mountainous and rocky countries, dwells thus delightedly on all the flat bits; and so I think invariably the inhabitants of mountain countries do, but the inhabitants of the plains do not, in any similar way, dwell delightedly on mountains. The Dutch painters are perfectly contented with their flat fields and pollards: Rubens, though he had seen the Alps, usually composes his landscapes of a hay-field or two, plenty of pollards and willows, a distant spire, a Dutch house with a mast about it, a windmill and a ditch. … So Shakspere never speaks of mountains with the slightest joy, but only of lowland flowers, flat fields, and Warwickshire streams." Ruskin's citation of the Lincolnshire farmer in Alton Locke is apt, with his dislike of "Darned ups and downs o'hills, to shake a body's victuals out of his inwards."
