bloody instincts he pampered," rejoined Kenyon. "Fancy a nightly assemblage of eighty thousand melancholy and remorseful ghosts, looking down from those tiers of broken arches, striving to repent of the savage pleasures which they once enjoyed, but still longing to enjoy them over again."
"You bring a Gothic horror into this peaceful moonlight scene," said Hilda.
"Nay, I have good authority for peopling the Coliseum with phantoms," replied the sculptor. "Do you remember that veritable scene in Benvenuto Cellini's autobiography, in which a necromancer of his acquaintance draws a magic circle—just where the black cross stands now, I suppose—and raises myriads of demons? Benvenuto saw them with his own eyes—giants, pygmies, and other creatures of frightful aspect—capering and dancing on yonder walls. Those spectres must have been Romans, in their lifetime, and frequenters of this bloody amphitheatre."
"I see a spectre, now!" said Hilda, with a little thrill of uneasiness. "Have you watched that pilgrim, who is going round the whole circle of shrines, on his knees, and praying with such fervency at every one? Now that he has revolved so far in his orbit, and has the moonshine on his face as he turns towards us, methinks I recognize him!"
"And so do I," said Kenyon. "Poor Miriam! Do you think she sees him?"
They looked round, and perceived that Miriam had risen from the steps of the shrine and disappeared. She
