panoramic and other exhibitions, to which the public is admitted gratis. In the course of each evening, large displays of fireworks take place, all arranged according to a published programme of the festival.
The various ceremonies which take place during Lent seemed to me the most impressive, and some of them were exceedingly well-arranged. The people, both performers and spectators, conduct themselves with more gravity on these occasions, and there is no holiday-making. Performances, representing the last events in the life of Christ, are enacted in the churches or streets, in such a way as to remind one of the old miracle plays or mysteries. A few days before Good Friday, a torchlight procession takes place by night from one church to another, in which is carried a large wooden image of Christ bent under the weight of the cross. The chief members of the Government assist, and the whole slowly moves to the sounds of muffled drums. A double procession is managed a few days afterwards. The image of St. Mary is carried in one direction, and that of the Saviour in another. Both meet in the middle of one of the most beautiful of the churches, which is previously filled to excess with the multitudes anxious to witness the affecting meeting of mother and son a few days before the crucifixion. The two images are brought face to face in the middle of the church, the crowd falls prostrate, and a lachrymose sermon is delivered from the pulpit. The whole thing, as well as many other spectacles arranged during the few succeeding days, is highly theatrical, and well calculated to excite the religious emotions of the people, although, perhaps, only
