the poems be discerned. I remember his reading to me that fine sonnet—
'How can my Muse want subject to invent,
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent
For every vulgar paper to rehearse?
O give thyself the thanks, if aught in me
Worthy perusal stand against thy sight;
For who's so dumb that cannot write to thee,
When thou thyself dost give invention light?'
—and pointing out how completely it corroborated his view; and indeed he went through all the Sonnets carefully, and showed, or fancied that he showed, that, according to his new explanation of their meaning, things that had seemed obscure, or evil, or exaggerated, became clear and rational, and of high artistic import, illustrating Shakespeare's conception of the true relations between the art of the actor and the art of the dramatist.
"It is of course evident that there must have been in Shakespeare's company some wonderful boy-actor of great beauty, to whom he intrusted the presentation of his noble heroines; for Shakespeare
