series in which Shakespeare discusses the nature of the actor's art, and of the strange and rare temperament that is essential to the perfect stage-player. "How is it," says Shakespeare to Willie Hughes, "that you have so many personalities?" and then he goes on to point out that his beauty is such that it seems to realise every form and phase of fancy, to embody each dream of the creative imagination,—an idea that is still further expanded in the sonnet that immediately follows, where, beginning with the fine thought,
"O, how much more doth beauty beauteous seem
By that sweet ornament which truth doth give!"
Shakespeare invites us to notice how the truth of acting, the truth of visible presentation on the stage, adds to the wonder of poetry, giving life to its loveliness, and actual reality to its ideal form. And yet, in Sonnet LXVII, Shakespeare calls upon Willie Hughes to abandon the stage with its artificiality, its unreal life of painted face and mimic costume, its immoral influences and suggestions, its remoteness from the true world of noble action and sincere utterance.
