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INTRODUCTION

I

At the early dawn of medieval Europe China had reached the noontide of her civilization. Indeed, the three hundred years of the Tang dynasty beginning with the seventh century witnessed a most brilliant era of culture and refinement, unsurpassed in all the annals of the Middle Kingdom. And the greatest of all the artistic attainments of this period was in literature, and particularly in poetry. There were no dramatists; no romancers; but only poets—and poets there were galore.

"In this age," remarks a native critic, "whoever was a man, was a poet." And this is not satire. The "Anthology of the Tang Dynasty" consists of nine hundred Books and contains more than forty-eight thousand nine hundred poems by no less than two thousand three hundred poets. Moreover, since this collection was compiled as late as the eighteenth century by order of a Manchu emperor, it represents only a meager crop from a field that had suffered the ruthless ravages of time for fully a thousand years. Imagine, then, the vast efflorescence of what must have been veritably a tropic jungle of poesy!

Now a person may consider it no distinction to be counted one among these poets when the list is so large; but to be picked out as the greatest of them all—as the leader of this colossal army of immortals, is certainly a singular distinction and honor. And this honor falls

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