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TONO-BUNGAY

drizzle of the village street lit by blurred specks of light in great voids of darkness, and never a soul abroad. That warm veil of fog produced an effect of vast seclusion. The very houses by the roadside peered through it as if from another world. The stillness of the night was marked by an occasional remote baying of dogs; all these people kept dogs because of the near neighbourhood of the frontier.

Death!

It was one of those rare seasons of relief, when for a little time one walks a little outside of and beside life. I felt as I sometimes feel after the end of a play. I saw the whole business of my uncle's life as something familiar and completed. It was done, like a play one leaves, like a book one closes. I thought of the push and the promotions, the noise of London, the crowded, various company of people through which our lives had gone, the public meetings, the excitements, the dinners and disputations, and suddenly it appeared to me that none of these things existed. It came to me like a discovery that none of these things existed. Before and after I have thought and called life a phantasmagoria, but never have I felt its truth as I did that night. . . . We had parted; we two who had kept company so long had parted. But there was, I knew, no end to him or me. He had died a dream death, and ended a dream, his pain dream was over. It seemed to me almost as though I had died too. What did it matter, since it was unreality, all of it, the pain and desire, the beginning and the end? There was no reality except this solitary road, this quite solitary road, along which one went rather puzzled, rather tired. . . .

Part of the fog became a big mastiff that came towards me and stopped and slunk round me growling,