below Pongara, we pass Point Gombi, which is fitted with a lighthouse, a lively and conspicuous structure by day as well as night. It is perched on a knoll, close to the extremity of the long arm of low, sandy ground, and is painted black and white, in horizontal bands, which, in conjunction with its general figure, give it a pagoda-like appearance.
Alongside it are a white-painted, red-roofed house for the light-house keeper, and a store for its oil. The light is either a flashing or a revolving or a stationary one, when it is alight. One must be accurate about these things, and my knowledge regarding it is from information received, and amounts to the above. I cannot throw in any personal experience, because I have never passed it at night-time, and seen from Glass it seems just steady. Most lighthouses on this Coast give up fancy tricks, like flashing or revolving, pretty soon after they are established. Seventy-five per cent. of them are not alight half the time at all. "It's the climate." Gombi, however, you may depend on for being alight at night, and I have no hesitation in saying you can see it, when it is visible, seventeen miles out to sea, and that the knoll on which the lighthouse stands is a grass-covered sand cliff, about forty or fifty feet above sea-level. As we pass round Gombi point, the weather becomes distinctly rough, particularly at lunch-time. The Mové minds it less than her passengers, and stamps steadily along past the wooded shore, behind which shows a distant range of blue hills. Silence falls upon the black passengers, who assumne recumbent positions on the deck, and suffer. All the things from under the saloon seats come out and dance together, and play puss-in-the-corner, after the fashion of loose gear when there is any sea on.
As the night comes down, the scene becomes more and more picturesque. The moonlit sea, shimmering and breaking on the darkened shore, the black forest and the hills silhouetted against the star-powdered purple sky, and, at my feet, the engine-room stoke-hole, lit with the rose-coloured glow from its furnace, showing by the great wood fire the two nearly naked Krumen stokers, shining like polished bronze in their perspiration, as they throw in on to the fire the billets of red wood that look like freshly-cut chunks of flesh. The white engineer hovers round the mouth of the
