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68
FERNANDO PO AND THE BUBIS
chap.

artistes by being shaken as accompaniments to other instruments they make a noise, and that is after all the soul of most African instrumental music. These instruments are all that is left of certain bullocks which many years ago the Spaniards introduced, hoping to improve the food supply. They seemed as if they would have flourished well on the island, on the stretches of grass land in the Cordillera and the East, but the Bubis, being great sportsmen, killed them all off.

The festivities of the Bubis—dances, weddings, feasts, &c.,—at which this miscellaneous collection of instruments are used in concert, usually take place in November, the dry season; but the Bubi liable to pour forth his soul in the bosom of his family at any time of the day or night, from June to January, and when he pours it forth on that bow affair it makes the lonely European long for home.

Divisions of time the Bubi can hardly be said to have, but this is a point upon which all West Africans are rather weak, particularly the Bantu. He has, however, a definite name for November, December, and January—the dry season months—calling them Lobos.

The fetish of these people, although agreeing on broad lines with the Bantu fetish, has many interesting points, as even my small knowledge of it showed me, and it is a subject that would repay further investigation; and as by fetish I always mean the governing but underlying ideas of a man's life, we will commence with the child. Nothing, as far as I have been able to make out, happens to him, for fetish reasons, when he first appears on the scene. He receives at birth, as is usual, a name which is changed for another on his initiation into the secret society, this secret society having also, as usual, a secret language. About the age of three or five years the boy is decorated, under the auspices of the witch doctor, with certain scars on the face. These scars run from the root of the nose across the cheeks, and are sometimes carried up in a curve on to the forehead. Tattooing, in the true sense of the word, they do not use, but they paint themselves, as the mainlanders do, with a red paint made by burning some herb and mixing the ash with clay or oil, and they occasionally—