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OF THE UNDERSTANDING.

vigour to the imagination, but that a vigorous and strong imagination is of all talents the most proper to procure belief and authority. 'Tis difficult for us to withold our assent from what is painted out to us in all the colours of eloquence; and the vivacity produc'd by the fancy is in many cases greater than that which arises from custom and experience. We are hurried away by the lively imagination of our author or companion; and even he himself is often a victim to his own fire and genius.

Nor will it be amiss to remark, that as a lively imagination very often degenerates into madness or folly, and bears it a great resemblance in its operations; so they influence the judgment after the same manner, and produce belief from the very same principles. When the imagination, from any extraordinary ferment of the blood and spirits, acquires such a vivacity as disorders all its powers and faculties, there is no means of distinguishing betwixt truth and falshood; but every loose fiction or idea, having the same influence as the impressions of the memory, or the conclusions of the judgment, is receiv'd on the same footing, and operates with equal force on the passions. A present impression and a customary transition are now no longer necessary to inliven our ideas. Every chimera of the brain is as vivid and intense as any of those inferences, which we formerly dignify'd with the name of conclusions concerning matters of fact, and sometimes as the present impressions of the senses.

We may observe the same effect of poetry in a lesser degree; only with this difference, that the least reflection dissipates the illusions of poetry, and places the objects in their proper light. 'Tis however certain, that in the warmth of a poetical enthusiasm, a poet has a counterfeit belief, and even a kind of vision of his objects: And if there be any shadow of argument to support this belief; nothing contributes more to his full conviction than a blaze of poetical figures and images, which have their effect upon the poet himself, as well as upon his readers.