Twilight Sleep
her chief desire to make everything in her surroundings conform to the habits and industries of a mythical past. Ever since she had created Viking Court she had been trying to obtain rushes for the floor: but as the Eastern States of America did not produce the particular variety of rush which the Vikings were said to have used she had at last decided to have rugs woven on handlooms in Abyssinia, some one having assured her that an inscription referring to trade-relations between the Vikings and the kingdom of Prester John had been discovered in the ruins of Petra.
The difficulty of having these rugs made according to designs of the period caused the cement floor of Mrs. Landish's living-room to remain permanently bare, and most of the furniture having now been removed, the room had all the appearance of a garage, the more so as Mrs. Landish's latest protégé, a young cabaret-artist who performed on a motor-siren, had been suffered to stable his cycle in one corner.
In addition to this vehicle, the room contained only a few relentless-looking oak chairs, a long table bearing an hour-glass (for clocks would have been an anachronism), and a scrap of dusty velvet nailed on the cement wall, as to which Mrs. Landish explained that it was a bit of a sixth century Coptic vestment, and that the nuns of a Basilian convent in Thessaly were reproducing it for eventual curtains and chair-cushions. "It may take fifty years."
