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THE TURN OF THE SCREW
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close to you, will let me go and come. Well, I ‘come,’ you see—but I don’t go! There’ll be plenty of time for that. I do really delight in your society, and I only want to show you that I contended for a principle.” It may be imagined whether I resisted this appeal or failed to accompany him again, hand in hand, to the schoolroom. He sat down at the old piano and played as he had never played; and if there are those who think he had better have been kicking a football I can only say that I wholly agree with them. For at the end of a time that under his influence I had quite ceased to measure, I started up with a strange sense of having literally slept at my post. It was after luncheon, and by the schoolroom fire, and yet I hadn’t really, in the least, slept: I had only done something much worse—I had forgotten. Where, all this time, was Flora? When I put the question to Miles, he played on a minute before answering and then could only say: “Why, my dear, how do I know?”—breaking moreover into a happy laugh which, immediately after, as if it were a vocal accompaniment, he prolonged into incoherent, extravagant song.

I went straight to my room, but his sister was not there; then, before going downstairs, I looked