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COVERING END
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windows stood open in one quarter to a terrace that overlooked a park and in another to a wonderful old empty court that communicated with a wonderful old empty garden. The staircase, wide and straight, mounted, full in sight, to a landing that was half-way up; and on the right, as you faced this staircase, a door opened out of the brown panelling into a glimpse of a little morning-room, where, in a slanted, gilded light, there was brownness too, mixed with notes of old yellow. On the left, toward court and garden, another door stood open to the warm air. Still as you faced the staircase you had at your right, between that monument and the morning-room, the arch through which Chivers had disappeared.

His reappearance interrupts and yet in a manner, after all, quickens our intense impression; Chivers on the spot, and in this severe but spacious setting, was so perfect an image of immemorial domesticity. It would have been impossible perhaps, however, either to tell his age or to name his use: he was of the age of all the history that lurked in all the corners and of any use whatever you might be so good as still to find for him. Considerably shrunken and completely silvered, he had perpetual agreement in the droop of his kind white head and