When Thackeray courageously gave to the world "a novel without a hero," he atoned for his oversight by enriching it with two heroines, so carefully portrayed, so admirably contrasted, that each strengthens and perfects the other. Just as Elizabeth Tudor and Mary Stuart are etched together on the pages of history with a vivid intensity which singly they might have missed, so Amelia Sedley and Becky Sharp (place à la vertu) are etched together on the pages of fiction with a distinctness derived in part from the force of comparison. And just as readers of history have been divided for more than three hundred years into adherents of the rival queens, so readers of novels have been divided for more than seventy years into admirers of the rival heroines. "I have been Emmy's faithful knight since I was ten years old, and read 'Vanity Fair' somewhat stealthily," confessed Andrew Lang; and by
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