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THE ROUNDABOUT
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don't get on together, Peter, now. You don't understand me and I must be happy. I had always been happy until I married you—perhaps it's partly my fault but I only hinder your work and there is some one else who loves me. He has always said so.

I would not have gone perhaps if it had not been for what you did on April 12. I know because some one saw you getting into a cab at midnight with that horrible woman. That shows that you don't care about me, Peter. But perhaps I would have gone anyhow. Once, the night I told you about baby coming, I told you there'd be a time when you'd have to hold me. It came—and you didn't see it. You didn't care—you can't have loved me or you would have seen. . . . But anything is better than staying here like this. I am very unhappy now but you will not care. You are cruel and hard, Peter. You have never understood what a woman wants.

I am going to Jerry in Paris. You can divorce me. I don't care about anything now. I won't come back—I won't, I won't—Clare.

He read this all through, very carefully with a serious brow. He finished it and then knew that he had not read a word of it. He went, slowly, to the window and opened it because the room was of a stifling heat. Then he took the letter again and read it. As he finished it again he was conscious that the door-bell was ringing. He wondered why it was ringing.

He was standing in the middle of the room and speaking to himself: “The humour of his performance as Lieutenant Pottle, a humour never exaggerated nor strained . . .

“The humour of his Lieutenant Pottle as a performer—never strained . . . never exaggerated . . . never strained . . .

Bobby came in and found him there. Peter's face was so white that his collar and shirt seemed to be a continuation of his body—a sudden gruesome nakedness. Both his hands were shaking and his eyes were puzzled as though he were asking himself some question that he could not solve.

Bobby started forward—