right contains the ashes of a suttee; there are seven suttee-graves of masonry on this, and six of earth on the other side, near the temple, in the mango tope. The largest suttee-tomb contains the ashes of a woman who was burnt in 1825, i. e. six years ago. The ashes are always buried near a temple sacred to Bhāwanīnī], and never by any other. Families too poor to raise a tomb of masonry in memory of the burnt-sacrifice, are contented to raise a mound of earth, and place a kulsa of red earthenware to mark the spot. In the sketch of "The Kulsas[1]," Fig. 8 is one of this description, which I carried away from these suttee-mounds.
The temple of Bhawānī is shaded by a most beautiful peepul-tree, from the centre of which a fākir'sr's] flag was flying; it stands in a plantation of mango-trees. I desired an Hindoo, who was present when I sketched the temple, to count the suttee-graves around it. As he counted them, he repeatedly made sālām to each mound.
The kulsa, Fig. 8, is made of common unglazed red pottery: there are five points—one at the top, the others placed at equal spaces around it; between the points are two figures of human beings, and two emblems like a moon and a crescent, see Fig. 9. The kulsa is hollow, and has five holes, through which the points, which are of solid earthenware, are introduced before baking, see Fig. 10: height, ten inches and a half; circumference just below the points, twenty-six inches; diameter at bottom, six inches. The kulsa, Fig. 7, is another from a large suttee at the same spot, of a different form; they call it a topee walla kulsa. The suttees in the sketch of the temple of Bhawānī are all of masonry; the mounds are invisible, lying at the back of the temple.
Nov.—My beautiful Arab, Mootee, after taking a most marvellous quantity of blue vitriol and opium, has recovered, but will be unfit for my riding; the sinews of his fore-leg are injured; besides which, he is rather too playful; he knocked down his sā'īs yesterday, tore his clothes to pieces, bit two bits of flesh
- ↑ In Volume the Second.
