but with a bandage over his eyes, which was removed at the grave where he made his offerings. The marble floor was covered with three carpets, on which the feet sank deeply, they were so soft and full. Pardas (screens) of silk, of fine and beautiful materials, were hung between all the arches. Chandeliers of crystal, set with precious stones, hung from the ceiling of the dome. There was also one chandelier of agate and another of silver: these were carried off by the Jāt Suruj Mul, who came from the Deccan and despoiled Agra.
It was the intention of Shāhjahān to have erected a mausoleum for himself, exactly similar to the Tāj, on the opposite side of the river; and the two buildings were to have been united by a bridge of marble across the Jumna. The idea was magnificent; but the death of Shāhjahān took place in 1666, while he was a prisoner, and ere he had time to complete his own monument.
The stones were prepared on the opposite side of the Jumna, and were carried off by the Burtpoor Rajah, and a building at Deeg has been formed of those stones. A part of the foundation of the second Tāj is still standing, just opposite the Tāj Mahul.
An immense space of ground is enclosed by a magnificent wall around the Tāj, and contains a number of elegant buildings, surrounded by fine old trees, and beds of the most beautiful flowers; the wall itself is remarkable, of great height, of red stone, and carved both inside and outside.
The Kālūn Darwāza, or great gateway, is a fine building; the four large and twenty-two smaller domes over the top of the arched entrance are of white marble; the gateway is of red granite, ornamented with white marble, inlaid with precious stones.
From the second story is a fine view of the Tāj itself, to which it is directly opposite. I sat in this superb gateway some time, looking at the durwān's snakes; he keeps, as pets, cobra de capellos, caught in the gardens of the Tāj. There are four rooms in this gateway, in which strangers, who are visitors, sometimes live during the hot weather.
