dreadful accident from the top of the minaret he had just ascended.
I cannot enter the Tāj without feelings of deep devotion: the sacredness of the place, the remembrance of the fallen grandeur of the family of the Emperor, and that of Asaf Jāhh 429.png], the father of Arzumund Banoonoo 429.png], the solemn echoes, the dim light, the beautiful architecture, the exquisite finish and delicacy of the whole, the deep devotion with which the natives prostrate themselves when they make their offerings of money and flowers at the tomb, all produce deep and sacred feelings; and I could no more jest or indulge in levity beneath the dome of the Tāj, than I could in my prayers.
THE KALUNLŪN? (cf. 429.png)] DARWĀZA.
The gateway to the garden is very grand; it is of red stone, inlaid with marble, and surmounted by a row of little marble cupolas.
Through a magnificent pair of brass gates you enter a dome, fifty feet in diameter, through which you pass on to the Tāj. The spandrils of all the arches are filled up with elegantly-arranged groups of flowers; there are also broad inscriptions running round the greater arches, both at the gate and the Tāj.
The approach is from the south, through the grand gateway of the garden; up the whole length of which, in the centre of fine trees, is a line of beautiful fountains; the vista is finished by the Tāj. At the end of this fountain-adorned avenue, you ascend by a hidden staircase of twenty solid blocks of marble, and arrive on the terrace above, formed of the same material, from which you go on to the interior of the Tāj, which is an octagon, surmounted by a dome seventy feet in diameter. The lower range of arches has an entablature, which is filled with extracts from the Kur'ān inlaid in black marble.
GROUND PLAN OF THE TOMB OF THE TĀJ.
The general form of the building is square, with the angles cut off, each front having a large elliptic gothic arch (with a very deep recess) in the centre; and the two wings have each two smaller arches, one above the other, and recessed in the same
