stained their hands and feet with menhdī. Aa'yeshah said, "Verily, a woman said, 'O prophet of God! receive my obedience.' He said, 'I will not receive your profession, until you alter the palms of your hands; that is, colour them with hinà; for without it one might say they were the hands of tearing animals.'" Aa'yeshah said, "A woman from behind a curtain made a sign of having a letter; and his highness drew away his hand and said, 'I do not know whether this is the hand of a man or a woman.' The woman said, 'It is a woman's.' His highness said, 'Were you a woman, verily you would change the colour of your nails with hinà.'"
To the slave girls I was myself an object of curiosity. They are never allowed to go beyond the four walls, and the arrival of an English lady was a novelty. I could never dress myself but half a dozen were slily peeping in from every corner of the pardas (screens), and their astonishment at the number and shape of the garments worn by a European was unbounded!
Ladies of rank are accustomed to be put to sleep by a slave who relates some fairy tale. To be able to invent and relate some romantic or hobgoblin adventure, in an agreeable manner, is a valuable accomplishment. I have often heard the monotonous tone with which women of this description lulled the Begam to sleep. To invent and relate stories and fables is the only employment of these persons. The male slaves put their masters to sleep in the same fashion.
Native beds (charpāī) are about one foot high from the ground; people of rank have the feet of these couches covered with thick plates of gold or silver, which is handsomely embossed with flowers. A less expensive, but still a very pretty sort, are of Bareilly work, in coloured flowers; some are merely painted red, green, or yellow; and those used by the poor are of plain mango wood. From the highest to the lowest the shape is all the same, the difference is in the material and the workmanship; no posts, no curtains. The seat of the bed is formed of newār (broad cotton tape), skilfully interlaced, drawn up tight as a drum-head, but perfectly elastic. It is the most luxurious couch imaginable, and a person accustomed to the charpāī of India
