native, around him. I thought I had never seen so dignified and graceful a person; he was dressed in a lubāda of red figured Indian shawl, the rest of the dress was English, but the style of the lubāda was particularly good, and suited to an old man; his half brother, Mr. Valentine Gardner, was with him, also an old nawāb from Cambay.
Colonel Gardner has a fine estate at Khāsgunge; the outer house is dedicated to his friends and English acquaintance; within four high walls is the barā-deri, or pavilion, in the centre of the zenāna gardens, in which his begam resides.
Apartments were given to my husband and me in the outer house, where the English visitors resided. The dinners at first consisted of European, as well as native dishes; but the latter were so excellent, I soon found it impossible to partake of dishes dressed after the English fashion, and as all the guests were of the same opinion, Colonel Gardner had the kindness to banish European dishes from the table.
I must not forget to mention the arwarī fish, the finest and most delicious I ever tasted; the Kālā-naddī is famed for its arwarī, a sort of mullet; the fish delights to bask in the sun, floating on the surface of the water. Colonel Gardner kept two shīkarees (native sportsmen), for the purpose of shooting these fish; one man fired, and the other instantly plunged into the water, and brought out the fish that were killed or stunned. The Musalmāns object to eating fish having no scales; such fish was also forbidden to the Jews.
In the evening, the native mimics came to perform before us; they imitated Europeans very well, and mimicked the gentlemen of the party. A pūtlī-nāch was afterwards brought forward; I was surprised to see the natives, young and old, so eager and fond of this absurdity, until Colonel Gardner said, "The natives are madly fond of this pūtlī-nāch; indeed, it is all the English have left them of their former glory. You see, represented by puppets, Shāhjahān and all his Court and Durbar: one puppet is brought forward, and the manager, whilst it bows to the audience, relates the whole history of the minister whom it represents; giving a true account of his pedigree, riches,
