the native gentleman thought him in earnest, and said, when every thing was arranged, I might show Mr. T her picture before they were married. In this manner weddings are made up; it would be the height of indelicacy to suppose a girl could have a choice, she marries just any one whom her friends select. The led horses, in their gay native caparison, looked so well amongst the blue lights; and the handsomest of all was Candidate, an imported English horse, formerly the property of Major P; Rattler, another English horse, sixteen hands high, whom I had ridden several times, was also there. They were so quiet and well-behaved in the crowd and amongst the fireworks, much more quiet than the native horses.
The ten platforms, containing the twenty nāch girls and the kettle-drum players carried on men's heads were also there. The effect of the gay dresses of the women, as they twirled and attitudinized was good by torch-light. Some of the girls, who were horrors by daylight, looked pretty by the artificial light, at a distance. It took two hours to go with the procession the four miles, through the village of Khāsgunge to the tents. All the inhabitants were either on the road or on the roofs of their houses, and we were attended by thousands of people: such a crowd, we could scarcely move forwards. On our arrival at the tents we found Mulka Begam's tent prepared for the reception of the females of our party. It was in utter darkness. In front fine bamboo screens were let down, which, inside, were covered with thin white muslin. Through this parda, from the inside of the tent, you could see what was going on without, where every thing was brilliantly lighted, whilst we were in complete darkness. From without you could not see into the tent in the slightest degree. These screens are called pardas, and the women who live within them, parda nishīn, secluded behind the curtain. In front of the tent was pitched a very large shamiyana, a canopy, supported on every side by high poles; white cloths were spread on the ground. In the centre was seated the young Prince on his gaddī (throne of the sovereign), most beautifully dressed, and looking very handsome. His four ill-looking brothers were next to him. On a plain gaddī, by
