as Dracula by Bram Stoker, and this I at once decided was one of the first editions of the book ever printed.
At the cessation of the first three days a typical English fog descended with a vengeance upon the moor. At the first indication of this prank of the elements, which threatened completely to obscure the beautiful weather of the past, I had hauled out all the discoveries I had made in the garret of this building. Bram Stoker's Dracula I have already mentioned. There is also a book on the Black Art by De Rochas. Three books, by Orfilo, Swedenborg, and Cagliostro, I have laid temporarily aside. Then there are also Strindburg's The Inferno, Blavatsky's Secret Doctrine, Poe's Eureka, and Flammarion's Atmosphere. You, my dear friend, may well imagine with what excitement these books filled me, for you know I am inclined toward sorcery. Orfilo, you know, was but a chemist and physiologist; Swedenborg and Strindburg, two who might be called mystics; Poe, whose Eureka did not aid me much in the path of witchcraft, nevertheless fascinated me; but the remaining five were as gold to me. Cagliostro, court magician of France; Madame Blavatsky, the priestess of Isis and of the Occult Doctrine; Dracula, with all its vampires; Plammarion's Atmosphere, with its diagnosis of the Gods of peoples; and De Rochas, of whom all I can say is to quote from August Strindburg's The Inferno, the following: "I do not excuse myself, and only ask the reader to remember this fact, in ease he should ever feel inclined to practise magic, especially those forms of it called wizardry, or more properly witchcraft: that its reality has been placed beyond all doubt by De Rochas."
Truly, my friend, I wondered, for I had good reason to do so, what manner of man had resided here before my coming, who should be so fascinated by Poe, Orfilo, Strindburg, and De Rochas—four different types of authors. Fog or no fog, I determined to find out. There is not another dwelling near here and the nearest source of information is a village some miles away. This is rather odd, for this moor does not seem an undesirable place for a summer home. I stored the books away, and after informing my valet of my intentions to walk some miles to the village, I started out. I had not gone far, when Leon decided to accompany me, leaving Mortimer alone in the fog-surrounded house.
Leon and I established very little in the town. After a conversation with one of the grocers in the village, the only communicative person that we accosted, we found that the man who had last occupied the house was a Baronet Lohrville. It seemed that the people held the late baronet in awe, for they hesitated to speak of him. This grocer related a tale concerning the disappearance of four girls one dark night some years ago. Popular belief had and still has it that the baronet kidnaped them. This idea seems utterly ludicrous to me, for the superstitious villagers can not substantiate their suspicions. By the way, this merchant also informed us that the Lohrville home is called the "Bat's Belfry". Personally I can see no connection between the residence and the ascribed title, as I have not noticed any bats around during my sojourn here.
My meditations on this matter were rudely interrupted by Mortimer, who complained of bats in the cellar—a rather queer coincidence. He said that he continually felt them brushing against his cheeks and that he feared they would become entangled in his hair. Of course, Leon and I went down to look for them, but we could not see any of them. However, Leon stated that one struck him, which I doubt. It is just possible that
