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IN THE MODERN VEIN
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her father an Indian civil servant; and Aubrey Vair—himself a happy mixture of Kelt and Teuton, as, indeed, all literary men have to be nowadays—naturally believed in the literary consequences of a mixture of races. She was dressed in white. She had finely moulded pale features, great depth of expression, and a cloud of delicately frisé black hair over her dark eyes, and she looked at Aubrey Vair with a look half curious and half shy, that contrasted admirably with the stereotyped frankness of your common Reigate girl.

"This is a splendid lawn—the best in Redhill," said Aubrey Vair in the course of the conversation; "and I like it all the better because the daisies are spared." He indicated the daisies with a graceful sweep of his rather elegant hand.

"They are sweet little flowers," said the lady in white, "and I have always associated them with England, chiefly, perhaps, through a picture I saw 'over there' when I was very little, of children making daisy chains. I promised myself that pleasure when I came home. But, alas! I feel now rather too large for such delights."

"I do not see why we should not be able to enjoy these simple pleasures as we grow older—why our growth should have in it so much forgetting. For my own part"—

"Has your wife got Jane's recipe for stuffing trout?" asked Mrs. Bayne's deaf aunt abruptly.

"I really don't know," said Aubrey Vair.

"That's all right," said Mrs. Bayne's deaf aunt. "It ought to please even you."