more than prettiness in her soft grey eyes. And of these half-dozen remarks, two words especially—"Monson's Folly." She had felt she was behaving charmingly to Monson; she reflected the next day how exceptionally effective she had been, and no one would have been more amazed than she, had she learned the effect she had left on Monson's mind. I hope, considering everything, that she never knew.
"How are you getting on with your flying-machine?" she asked. ("I wonder if I shall ever meet any one with the sense not to ask that," thought Monson.) "It will be very dangerous at first, will it not?" ("Thinks I'm afraid.") "Jorgon is going to play presently; have you heard him before?" ("My mania being attended to, we turn to rational conversation.") Gush about Jorgon; gradual decline of conversation, ending with—"You must let me know when your flying-machine is finished, Mr. Monson, and then I will consider the advisability of taking a ticket." ("One would think I was still playing inventions in the nursery.") But the bitterest thing she said was not meant for Monson's ears. To Phlox, the novelist, she was always conscientiously brilliant. "I have been talking to Mr. Monson, and he can think of nothing, positively nothing, but that flying-machine of his. Do you know, all his workmen call that place of his 'Monson's Folly'? He is quite impossible. It is really very, very sad. I always regard him myself in the light of sunken treasure—the Lost Millionaire, you know."
She was pretty and well educated,—indeed, she had written an epigrammatic novelette; but the
