dint of work and patience, still more by dint of pliable sense and taste, has been duly accomplished. Future editions may be, and in effect will have to be, altered and enlarged: it is as well for people to be aware that they have not yet a final edition of Blake; that will have to be some day completed on a due scale. But for the great mass of his lyrical verse all there was to do has been done here, and the ground-plan taken of a larger building to come. These preliminaries stated, we pass on to a rapid general review of those two great divisions which may be taken as resuming for us the ripe poetry of Blake's manhood. Two divisions, the one already published and partially known, the other now first brought into light and baptized with some legible name; the Songs of Innocence and Experience, and the Ideas of Good and Evil. Under this latter head we will class for purposes of readier reference as well the smaller MS. volume of fairly transcribed verses as the great mass of more disorderly writing in verse and prose to which the name above given is attached in a dim broad scrawl of the pencil evidently meant to serve as general title, though set down only on the reverse page of the second MS. leaf. This latter and larger book, extending in date at least from 1789 to (August) 1811, but presumably beyond the later date, is the great source and treasure-house from which has been drawn out most of the fresh verse and all of the fresh prose here given us: and is of course among the most important relics left of Blake.
First then for the Songs of Innocence and Experience. These at a first naming recall only that incomparable charm of form in which they first came out clothed,
