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FLORENTINE NIGHTS.
41

lose my mind I stopped my ears and closed my eyes. Then the enchantment disappeared, and when I looked again I saw the poor Genoese in his wonted form making his usual bows, while the public applauded rapturously.

'"That is the celebrated performance on the G string,' remarked my neighbour. 'I play the violin myself, and know what it is to have such mastery over the instrument!'

"Fortunately the interval was not long, else my musical fur-dealer had certainly involved me in a tiresome talk on art. Paganini set his violin leisurely to his chin, and with the first touch of his bow, there began again the wondrous transfiguration of tones. But now they were neither so startling in colour or so marked in form. They came forth calmly, majestically, waving and rising like those of an organ choral in a cathedral; and all the surroundings seemed to have expanded to a colossal space, such as no bodily vision but only the eye of the spirit can grasp. In the midst of this space swept a burning ball, on which stood a man of giant stature and grand in pride, who played the violin. Was this sphere of light the sun? I know not. But in the features of the man I recognised Paganini, ideally beautified, celestially refined, atoned for divinely, and smiling. This body was fresh and fair in vigorous manliness; a light-blue garment was about his now far