Hall; but beauty and the lust for learning have yet to be allied. There are the innumerable wives and daughters around the Parks, running in and out of their little red-brick villas; but the indignant shade of celibacy seems to have called down on the dons a Nemesis which precludes them from either marrying beauty or begetting it. (From the Warden's son, that unhappy curate, Zuleika inherited no tittle of her charm. Some of it, there is no doubt, she did inherit from the circus-rider who was her mother.)
But the casual feminine visitors? Well, the sisters and cousins of an undergraduate seldom seem more passable to his comrades than to himself. Altogether, the instinct of sex is not pandered to in Oxford. It is not, however, as it may once have been, dormant. The modern importation of samples of femininity serves to keep it alert, though not to gratify it. A like result is achieved by another modern development—photography. The undergraduate may, and usually does, surround himself with photographs of pretty ladies known to the public. A phantom harem! Yet the houris have an effect on their sultan. Surrounded both by plain women of flesh and blood and by beauteous women on pasteboard, the undergraduate is the easiest victim of living loveliness—is as a fire ever well and truly laid, amenable to a spark. And if the spark be such a flaring torch as Zuleika?—marvel not, reader, at the conflagration.
