Round his neck he slung that long daedal chain wherefrom St. George, slaying the Dragon, dangles. He bowed his shoulders to assume that vast mantle of blue velvet, so voluminous, so enveloping, that, despite the Cross of St. George blazing on it, and the shoulder-knots like two great white tropical flowers planted on it, we seem to know from it in what manner of mantle Elijah prophesied. Across his breast he knotted this mantle's two cords of gleaming bullion, one tassel a due trifle higher than its fellow. All these things being done, he moved away from the mirror, and drew on a pair of white kid gloves. Both of these being buttoned, he plucked up certain folds of his mantle into the hollow of his left arm, and with his right hand gave to his left hand that ostrich-plumed and heron-plumed hat of black velvet in which a Knight of the Garter is entitled to take his walks abroad. Then, with head erect, and measured tread, he returned to the mirror.
You are thinking, I know, of Mr. Sargent's famous portrait of him. Forget it. Tankerton Hall is open to the public on Wednesdays. Go there, and in the dining-hall stand to study well Sir Thomas Lawrence's portrait of the eleventh Duke. Imagine a man some twenty years younger than he whom you there behold, but having some such features and some such bearing, and clad in just such robes. Sublimate the dignity of that bearing and of those features, and you will then
