A Good Woman (Bromfield)/Part 3/Chapter 1
At the back of the great Shane house there clustered a little group of buildings arranged in plantation style. There were a laundry, a kennel, an office and a stable with a double row of box-stalls. The whole was overgrown with dying vines and was connected with the big white-trimmed brick house by a sort of gallery, roofed but open on the sides. The buildings were empty now, since the old woman had taken to her canopied bed, save for the pair of fat old horses who never went out any more and now stood fat and sleek, groomed carefully each day by the old negro who acted as groom and general factotum. One daughter had given up her life to the poor and the other to the great world and no one cared any longer if the hinges rusted on the stable doors and the great wrought-iron gates sagged at the entrance to the park. Ghosts haunted the place—the ghost of the wicked old John Shane who had built the Castle, the ghosts of all the great who had stayed at the Castle in the glamorous days before the coming of the black Mills. Old Julia Shane lay dying, aloof, proud, rich and scornful. Nobody cared. . . .
When the strike came the whole park fell into a state of siege, walled in on the one side by the Mills and on the other by the filthy houses of the steelworkers. The warfare raged just outside its borders. Sometimes in the night a shot sounded in the darkness. But neither side invaded the territory: it remained in some mysterious way neutral and sacred, as if the lingering spirit of the old woman who lay dying in the smoke-blackened house held the world at bay. The doctor came twice daily, making his way bravely through the black district of the strike; once each day, the old nigger Hennery went timorously across the Halstead Street bridge to fetch food. Irene Shane and sometimes Hattie Tolliver, a cousin who came to "take hold," went in and out. Otherwise the place lay deserted and in solitude, waiting.
Early in December, when the first blackened snow lay among the dead trees of the park, Irene Shane and Mary Conyngham visited the stables. It was the first time Irene had gone there since she was a young girl and kept a pony called Istar. To Mary Conyngham it was a strange place never before visited. They were accompanied by the old nigger Hennery.
Above the stalls of the fat horses there was a room ence occupied by a coachman, which now lay empty save for a table, two or three chairs, an iron stove and a bed. At each end of the room there was a big window partly covered by the vines that overran the whole building. It was here that the two women and the old negro came.
Irene, dressed in her shabby gray clothes, opened the door of the harness-closet, looked inside, and then regarded the room with a sweeping glance. "This ought to serve, very well," she said.
Mary was pleased. "It's perfect, I should think."
"Put those newspapers in the stove, Hennery, and light them," said Irene. "He can't work here unless there's some means of heat."
The papers went up in a burst of flame. The stove worked perfectly.
The two women looked at each other. "Will you tell him, then?" asked Mary.
"Yes . . . Krylenko will tell him. I don't know him at all."
Suddenly Mary kissed the older woman on the cheek. It was an odd, grotesque gesture, which failed of all response. It was like kissing a piece of marble to kiss a woman like Irene Shane.
"Thank you, Irene," she said.
Irene ignored the speech, and turned to the old negro. "Clean the room out, Hennery. There's a Mr. Downes coming here to paint now and then."
"What? Pitchers?" asked Hennery.
"Yes, pictures. He's to come and go as he likes. You needn't worry about him."
They left him raising clouds of dust with a worn stable-broom. It did not strike him that there was anything extraordinary in the arrangement. He had come to Shane's Castle a buck nigger of eighteen, when John Shane was a bachelor. He was sixty-five now. Anything, he knew, might happen at Shane's Castle. Life there possessed a sort of subterranean excitement.
As he swept he kept thinking that Miss Lily was already on her way home from Paris, coming to see her Mammy die. She hadn't been home in seven years. When Miss Lily came home, everything was changed. All the excitement seemed to rise above the surface, and all life changed and became a tingling, splendiferous affair. Even the presence of death in the Castle couldn't dampen the effect of Miss Lily.