A Treatise on Painting
by Leonardo da Vinci, translated by John Francis Rigaud
How to make Objects detach from their Ground, that is to say, from the Surface on which they are painted
4010212A Treatise on Painting — How to make Objects detach from their Ground, that is to say, from the Surface on which they are paintedJohn Francis RigaudLeonardo da Vinci

Chap. CCVI.How to make Objects detach from their Ground, that is to say, from the Surface on which they are painted.

Objects contrasted with a light ground will appear much more detached than those which are placed against a dark one. The reason is, that if you wish to give relief to your figures, you will make those parts which are the farthest from the light, participate the least of it; therefore they will remain the darkest, and every distinction of outline would be lost in the general mass of shadows. But to give it grace, roundness, and effect, those dark shades are always attended by reflexes, or else they would either cut too hard upon the ground, or stick to it, by the similarity of shade, and relieve the less as the ground is darker; for at some distance nothing would be seen but the light parts, therefore your figures would appear mutilated of all that remains lost in the back-ground.