A Treatise on Painting
by Leonardo da Vinci, translated by John Francis Rigaud
The Mode of painting on Canvass, or Linen Cloth
4011012A Treatise on Painting — The Mode of painting on Canvass, or Linen ClothJohn Francis RigaudLeonardo da Vinci

Chap. CCXXXI.The Mode of painting on Canvass, or Linen Cloth[1].

Stretch your canvass upon a frame, then give it a coat of weak size, let it dry, and draw your outlines upon it. Paint the flesh colours first; and while it is still fresh or moist, paint also the shadows, well softened and blended together. The flesh colour may be made with white, lake, and Naples yellow. The shades with black, umber, and a little lake; you may, if you please, use black chalk. After you have softened this first coat, or dead colour, and let it dry, you may retouch over it with lake and other colours, and gum water that has been a long while made and kept liquid, because in that state it becomes better, and does not leave any gloss. Again, to make the shades darker, take the lake and gum as above, and ink[2]; and with this you may shade or glaze many colours, because it is transparent; such as azure, lake, and several others. As for the lights, you may retouch or glaze them slightly with gum water and pure lake, particularly vermilion.

  1. It is evident that distemper or size painting is here meant.
  2. Indian ink.