A Treatise on Painting
by Leonardo da Vinci, translated by John Francis Rigaud
At what Distance Colours are entirely lost
4015745A Treatise on Painting — At what Distance Colours are entirely lostJohn Francis RigaudLeonardo da Vinci

Chap. CCLXXXVIII.At what Distance Colours are entirely lost.

Local colours are entirely lost at a greater or less distance, according as the eye and the object are more or less elevated from the earth. This is proved by the seventh proposition[1], which says, the air is more or less pure, as it is near to, or remote from the earth. If the eye then, and the object are near the earth, the thickness of the air which interposes, will in a great measure confuse the colour of that object to the eye. But if the eye and the object are placed high above the earth, the air will disturb the natural colour of that object very little. In short, the various gradations of colour depend not only on the various distances, in which they may be lost; but also on the variety of lights, which change according to the different hours of the day, and the thickness or purity of the air, through which the colour of the object is conveyed to the eye.

  1. See chap. ccxciii. cccvii. cccviii.