Author:Carl Sandburg
| ←Author Index: Sa | Carl Sandburg (1878–1967) |
| American poet, historian, novelist, balladeer and folklorist. He won three Pulitzer Prizes: two for his poetry (1919 and 1951) and one for his biography of Abraham Lincoln (1940) The icon  identifies that the work includes a spoken word version.
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Contents
WorksEdit
BiographyEdit
- Abraham Lincoln: The Prairie Years (1926)
- Abraham Lincoln: The War Years (1939)
- Always the Young Strangers (1953) (autobiography)
- Ever the Winds of Chance (1983) (autobiography) (completed by Margaret Sandburg and George Hendrick)
- The Letters of Carl Sandburg (1968) (autobiographical/correspondence) (ed. Herbert Mitgang)
- Mary Lincoln: Wife and Widow (1932)
PoemsEdit
Poetry collectionsEdit
- Contributed to American Poetry 1922:
- Breathing Tokens (1978) (ed. Margaret Sandburg)
- Chicago Poems (1916) (transcription project)
- Complete Poems (1950)
- Cornhuskers, which won a Pulitzer Prize (1918)
- Good Morning, America (1928)
- Harvest Poems (1950)
- Honey and Salt (1963)
- In Reckless Ecstasy (1904)
- The People, Yes (1936)
- Selected Poems (1926)
- Slabs of the Sunburnt West (1922)
- Smoke and Steel (1920)
Children's storiesEdit
- Rootabaga Stories (1922) (transcription project)
- Rootabaga Pigeons (1923) (transcription project)
- More Rootabaga Stories (1993)
Folk songsEdit
- The American Songbag (1927)
- The New American Songbag (1950)
MiscellaneousEdit
- The Family of Man (1955) (exhibition catalog)
- Steichen the Photographer (1929) (history)
Works about SandburgEdit
- "Sandburg, Carl," in The Encyclopedia Americana, New York: The Encyclopedia Americana Corporation (1920)
External linksEdit
Some or all works by this author are in the public domain in the United States because they were published before January 1, 1924.
The author died in 1967, so works by this author are also in the public domain in countries and areas where the copyright term is the author's life plus 50 years or less. Works by this author may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.