James Dallaway
(1763–1834)

English antiquary

Works edit

  • Inquiries into the Origin and Progress of the Science of Heraldry in England, with Explanatory Observations on Armorial Ensigns (1792)
  • Constantinople, Ancient and Modern, with Excursions to the Shores and Islands of the Archipelago and to the Troad (1797)
  • Anecdotes of the Arts in England, or Comparative Remarks on Architecture, Sculpture, and Painting, chiefly illustrated by specimens at Oxford (1800)
  • Observations on English Architecture, Military, Ecclesiastical, and Civil, compared with similar buildings on the Continent; including a critical Itinerary of Oxford and Cambridge, also historical notices of Stained Glass, Ornamental Gardening, &c., with chronological tables and dimensions of Cathedral and Conventual Churches (1806)
  • History of the three Western Rapes of Sussex (1815-1830), in 3 vols.
  • Statuary and Sculpture among the Ancients, with some account of Specimens preserved in England (1816)
  • History of Leatherhead (1821)
  • William Wyrcestre Redivivus. Notices of Ancient Church Architecture in the Fifteenth Century, particularly in Bristol (1823)
  • Account of all the Pictures exhibited in the Rooms of the British Institution from 1813 to 1824, belonging to the Nobility and Gentry of England, with remarks critical and explanatory (1824)
  • Discourses upon Architecture in England from the Norman Conquest to the Reign of Elizabeth (1833)
  • Antiquities of Bristow in the Middle Centuries (1834)

As editor edit

  • Letters of the late Dr. Rundle, Bishop of Derry, to Mrs. Sandys, with introductory Memoirs (1789), in 2 vols.
  • The Letters and other Works of Lady Mary Wortley Montagu, from her original MSS., with Memoirs of her Life (1803), in 5 vols.
  • Walpole's Anecdotes of Painting, including Vertue's ‘Catalogue of Engravers (1826–8), in 5 vols.

Works about Dallaway edit

 

Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.

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