Author:Robert Southey
←Author Index: So | Robert Southey (1774–1843) |
English historian and poet, of the Romantic school, and one of the so-called "Lake Poets". |
WorksEdit
- The Battle of Blenheim
- The Cataract of Lodore
- The Curse of KehamaGoogle Books
- The Devil's Walk
- English Eclogues
- Eclogue I. — The Old Mansion House
- Eclogue II. — The Grandmother's Tale
- Eclogue III. — The Funeral
- Eclogue IV. — The Sailor's Mother
- Eclogue V. — The Witch
- Eclogue VI. — The Ruined Cottage
- Inchcape Rock
- Inscription 04 - For The Apartment In Chepstow-Castle
- The Rose
- The Surgeon's Warning
- Thalaba the Destroyer (Page scan index,vol. 1.)
- The Victory
- The Old Man's Comforts and How He Gained Them
- Wat Tyler
- Life of Nelson
- A tale of Paraguay (transcription project)
- Book of the Church
- Omniana Vol. I (transcription project) Vol. II (transcription project)
- ENGLISH SEAMEN (Howard, Clifford, Hawkins, Drake, Cavendish). (?)
Individual poemsEdit
- Donica
- God's Judgment on a Wicked Bishop
- Lord William
- Rudiger
- Shewing How an Old Woman Rode Double, and Who Rode Before Her
- The Traveller's Return
- The Victory
TranslationsEdit
Works about SoutheyEdit
- "Robert Southey", in The Lives of the Poets-Laureate, by W. S. Austin and J. Ralph (1853)
- "Southey, Robert," in Dictionary of National Biography, 1885-1900, London: Smith, Elder, & Co. (1885-1900) in 63 vols.
- "Southey, Robert," in A Short Biographical Dictionary of English Literature, by John William Cousin, London: J. M. Dent & Sons (1910)
- "Southey, Robert," in Encyclopædia Britannica (11th ed., 1911)
- "Southey, Robert," in Collier's New Encyclopedia, New York: P. F. Collier & Son Co. (1921)
- "Dedication" to Don Juan, by Lord Byron.
- "Mr. Southey," in The Spirit of the Age (pp. 367−384), by William Hazlitt, London: Henry Colburn (1825)
- To Robert Southey by Samuel Taylor Coleridge
- To Southey by Clement Clarke Moore.
- "Southey's Letters" in Studies of a Biographer, vol. 4 by Leslie Stephen
Works by this author published before January 1, 1926 are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.