Author:Thomas Love Peacock
Works
editNovels
edit- Headlong Hall (1816) (transcription project)
- Melincourt (1817)
- Nightmare Abbey (1818) (transcription project)
- Maid Marian (1822)
- The Misfortunes of Elphin (1829)
- Crotchet Castle (1831) (transcription project)
- Gryll Grange (1861) [serialised first in 1860]
- Headlong Hall ; Nightmare Abbey ; Maid Marian ; Crotchet Castle (1837) (transcription project)
Poetry
edit- The Monks of St. Mark (1804?)
- Palmyra and other Poems (1805)
- The Genius of the Thames: a Lyrical Poem (1810)
- The Genius of the Thames Palmyra and other Poems (1812)
- The Philosophy of Melancholy (1812)
- Sir Hornbook, or Childe Launcelot's Expedition (1813)
- Sir Proteus: a Satirical Ballad (1814)
- The Round Table, or King Arthur's Feast (1817)
- Rhododaphne: or The Thessalian Spell (1818) (transcription project)
- Paper Money Lyrics (1837)
- "The Legend of the Manor Hall", in Bentley's Miscellany, Vol. I, No. 1, 1837 (start transcription)
Essays
edit- The Four Ages of Poetry (1820)
- Recollections of Childhood: The Abbey House (1837)
- Memoirs of Shelley (1858-60)
- The Last Day of Windsor Forest (1887) [composed 1862]
- Prospectus: Classical Education
Plays
edit- The Three Doctors
- The Dilettanti
- Gl'Ingannati, or The Deceived (translated from the Italian, 1862)
Unfinished tales and novels
edit- Satyrane (c. 1816)
- Calidore (c. 1816)
- The Pilgrim of Provence (c. 1826)
- The Lord of the Hills (c. 1835)
- Julia Procula (c. 1850)
- A Story Opening at Chertsey (c. 1850)
- A Story of a Mansion among the Chiltern Hills (c. 1859)
- Boozabowt Abbey (c. 1859)
- Cotswald Chace (c. 1860)
Works about Peacock
edit- "Peacock, Thomas Love," in Dictionary of National Biography, 1885-1900, London: Smith, Elder, & Co. (1885–1900) in 63 vols.
- "Peacock, Thomas Love," in A Short Biographical Dictionary of English Literature, by John William Cousin, London: J. M. Dent & Sons (1910)
- "Peacock, Thomas Love," in Encyclopædia Britannica (11th ed., 1911)
Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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