Ōcchan.— The Ōcchans are a class of temple priests, who usually officiate as pūjāris at Pidāri and other Amman (Grāma Dēvata) temples. They are for the most part Saivites, but some belong to the Vadagalai or Tengalai Vaishnava sects. Some of the pūjāris wear the sacred thread when within the temple. Their insignia are the udukkai, or hour-glass shaped drum, and the silambu, or hollow brass ring filled with bits of brass, which rattle when it is shaken. In the Chingleput district, some Ōcchans act as dancing-masters to Dēvadāsis, and are sometimes called Nattuvan.

The name Ōcchan is derived from the Tamil ōchai, meaning sound, in reference to the usual mode of invoking the Grāma Dēvatas (village deities) by beating on a drum and singing their praises. It has been suggested that Ōcchan is a contracted form of Uvacchan, which occurs in certain old inscriptions.*[1] Of these, the oldest is dated Sakha 1180 (A.D. 1258), and refers to the tax on Uvacchas. Another inscription, in which the same tax is referred to, is dated Sakha 1328 (A.D.1406). In both these inscriptions, Uvacchan has been interpreted as referring to Jonakas, who are a class of Muhammadans. This is one of the meanings given by Winslow, †[2] who also gives "a caste of drummers at temples, Ōcchan."

In the northern districts, the Ōcchans are divided into five sections, called Mārayan, Pāndi, Kandappan, Periya or Pallavarāyan, and Pulavan. Mārayan is also the name of temple priests in Travancore, on whom the title Ōcchan is bestowed as a mark of royal favour by the Travancore sovereigns. ‡[3] The Ōcchans have many titles, e.g., Archaka or Umai Archaka, Dēvar, Parasaivan, Mudaliar, Vallabarāyan, Pūsali, Pulavar, and Kamban. Of these, the last two are said to be derived from the Tamil epic poet Kamban, who is traditionally believed to have belonged to the Ōcchan caste. There is a legend that Kamban was on his way to the residence of a king, when he heard an oil-monger, who was driving his bulls, remonstrate with them, saying "Should you kick against each other because the poet Kamban, like the Ōcchan he is, hums his verse?" On hearing this, Kamban approached the oil-monger, and went with him to the king, to whom he reported that he had been insulted. By order of the king, the oil-monger burst forth into verse, and explained how his bulls had taken fright on hearing Kamban's impromptu singing. Kamban was greatly pleased with the poet oil-monger, and begged the king to let him go with honours heaped on him.

In the southern districts, more especially in Madura and Tinnevelly, it is usual for an Ōcchan to claim his paternal aunt's daughter in marriage. In the northern districts, a man may also marry his maternal uncle's or sister's daughter. Brāhman Gurukkals officiate at marriages. In their puberty, marriage, and death ceremonies, the Ōcchans closely follow the Pallis or Vanniyans. The dead are burnt, and Brāhmans officiate at the funeral ceremonies.

The caste is an organised one, and there is usually a headman, called Periyathanakāran, at places where Ōcchans occur.

  1. * E. Hultzsch. South Indian Inscriptions, I. 82, 108, 1890.
  2. † Comprehensive Tamil and English Dictionary.
  3. ‡ Travancore Census Report, 1901.