Dictionary of National Biography, 1885-1900/Golding, Richard
GOLDING, RICHARD (1785–1865), line-engraver, was born in London of humble parentage on 15 Aug. 1785. He was apprenticed in 1799 to an engraver named Pass, but at the end of five years his indentures were transferred to James Parker, who died in 1805, leaving some unfinished plates, which were completed by his pupil. Golding was afterwards introduced to Benjamin West, who employed him to engrave his ‘Death of Nelson.’ He then executed a number of admirable book-plates, the best known of which are those after the designs of Robert Smirke for editions of ‘Don Quixote’ and ‘Gil Blas,’ and he also assisted William Sharp. In 1818 he completed a fine plate of the Princess Charlotte of Wales, after the painting by Sir Thomas Lawrence, who is said to have touched the engraver's proofs no less than thirty times. The reputation which he gained by this plate led to the offer of numerous commissions, and among the portraits which he subsequently engraved were those of Sir William Grant, master of the rolls, a full-length after Lawrence, General Sir Harry Calvert, bart., after Phillips, and Thomas Hammersley the banker, after Hugh Douglas Hamilton, as well as a portrait of Queen Victoria when princess, in her ninth year, after Richard Westall, and another in 1830, after William Fowler. He likewise engraved a large plate of ‘St. Ambrose refusing the Emperor Theodosius Admission into the Church,’ after the picture by Rubens in the Vienna gallery. In 1842, after having been without work for several years, he undertook to engrave for the Art Union of Dublin a plate after Maclise's picture of ‘A Peep into Futurity;’ but he had fallen into a state of desponding indolence, and at the end of ten years it was still unfinished. His powers and eyesight gradually failed, and he withdrew from all social intercourse, finding recreation only in angling. Although unmarried, and not without means, he died from bronchitis in neglected and dirty lodgings in Stebbington Street, St. Pancras, London, on 28 Dec. 1865. He was buried in Highgate cemetery; but owing to allegations that he had been poisoned by his medical attendant, who became possessed of the bulk of his property, his body was exhumed in the following September and an inquest held, which, however, terminated in a verdict of ‘Death from natural causes.’
[Redgrave's Dict. of Artists of the English School, 1878; Bryan's Dict. of Painters and Engravers, ed. Graves, 1886, i. 581; Times, 14 and 21 Sept. 1866.]