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Dorothy Q

Grandmother’s mother: her age, I guess,
Thirteen summers, or something less;
Girlish bust, but womanly air;
Smooth, square forehead, with up-rolled hair,
Lips that lover has never kissed;
Taper fingers and slender wrist;
Hanging sleeves of stiff brocade;
So they painted the little maid.

On her hand a parrot green
Sits unmoving and broods serene.
Hold up the canvas full in view, —
Look! There’s a rent the light shines through,
Dark with a century’s fringe of dust, —
That was a Red-Coat’s rapier thrust!
Such is the tale the lady old,
Dorothy’s daughter’s daughter, told.

Who the painter was none may tell, —
One whose best was not over well;
Hard and dry, it must be confessed,
Flat as a rose that has long been pressed;
Yet in her cheek the hues are bright,
Dainty colors of red and white,
And in her slender shape are seen
Hint and promise of stately mien.

Look not on her with eyes of scorn, —
Dorothy Q. was a lady born!
Ay! since the galloping Normans came,
England’s annals have known her name,
And still to the three-hilled rebel town
Dear is that ancient name’s renown,
For many a civic wreath they won,
The youthful sire and the gray-haired son.

O Damsel Dorothy! Dorothy Q.!
Strange is the gift that I owe to you;
Such a gift as never a king
Save to daughter or son might bring, -—
All my tenure of heart and hand,
All my title to house and land;
Mother and sister and child and wife
And joy and sorrow and death and life!

What if a hundred years ago
Those close-shut lips had answered No,
When forth the tremulous question came
That cost the maiden her Norman name,
And under the folds that look so still
The bodice swelled with the bosom’s thrill?
Should I be I, or would it be
One tenth another, to nine tenths me?

Soft is the breath of a maiden’s Yes:
Not the light gossamer stirs with less;
But never a cable that holds so fast
Through all the battles of wave and blast,
And never an echo of speech or song
That lives in the babbling air so long!
There were tones in the voice that whispered then
You may hear to-day in a hundred men.

O lady and lover, how faint and far
Your images hover, — and here we are,
Solid and stirring in flesh and bone, —
Edward’s and Dorothy’s — all their own, —
A goodly record for Time to show
Of a syllable spoken so long ago! —
Shall I bless you, Dorothy, or forgive
For the tender whisper that bade me live?

It shall be a blessing, my little maid!
I will heal the stab of the Red-Coat’s blade,
And freshen the gold of the tarnished frame,
And gild with a rhyme your household name;
So you shall smile on us brave and bright
As first you greeted the morning’s light,
And live untroubled by woes and fears
Through a second youth of a hundred years


Author’s “Preface” (partial, as applicable) to this poem, as it was published in the 1893 anthology Dorothy Q, Together with a Ballad of the Boston Tea Party & Grandmother's Story of Bunker Hill Battle.

Dorothy Quincy, the subject of the first poem in this volume, was aunt of the first Josiah Quincy, Junior, “that fervid orator who expended his life for the cause of this country, dying on ship-board in sight of home, as he returned from England after hostilities had begun only seven days.” She was also the aunt of a second Dorothy Quincy, who became the wife of John Hancock, President of the first Continental Congress.

The painting hung in the house of my grandfather, Oliver Wendell, which was occupied by British officers before the evacuation of Boston. One of these gentlemen amused himself by stabbing poor Dorothy (the pictured one) as near the right eye as his swordsmanship would serve him to do it. The canvas was so decayed that it became necessary to remount the painting, in the process of doing which the hole made by the rapier was lost sight of. I took some photographs of the picture before it was transferred to the new canvas.

O. W. H.