The House of Grandlieu divided into two branches about the middle of the last century: first, the ducal line destined to lapse, since the present duke has only daughters; and then the Vicomtes de Grandlieu, who will now inherit the title and armorial bearings of the elder branch. The ducal house bears gules, three broad axes or in fess, with the famous motto: Caveo non timeo, which epitomizes the history of the family.
The coat of the Vicomtes de Grandlieu is the same quartered with that of Navarreins: gules, a fess crenelated or, surmounted by a knight's helmet, with the motto: Grands faits, grand lieu. The present Viscountess, widowed in 1813, has a son and a daughter. Though she returned from the Emigration almost ruined, she recovered a considerable fortune by the zealous aid of Derville the lawyer.
The Duc and Duchesse de Grandlieu, on coming home in 1804, were the object of the Emperor's advances; indeed, Napoleon, seeing them come to his court, restored to them all of the Grandlieu estates that had been confiscated to the nation, to the amount of about forty thousand francs a year. Of all the great nobles of the Faubourg Saint-Germain who allowed themselves to be won over by Napoleon, this Duke and Duchess—she was an Ajuda of the senior branch, and connected with the Braganzas—were the only family who afterwards never disowned him and his liberality. When the Faubourg Saint-Germain remembered this as a crime against the Grandlieus, Louis XVIII. respected them for it; but perhaps his only object was to annoy Monsieur.
A marriage was considered likely between the young Vicomte de Grandlieu and Marie-Athenais, the Duke's youngest daughter, now nine years old. Sabine, the youngest but one, married the Baron du Guenic after the revolution of July 1830; Josephine, the third, became Madame d'Ajuda-Pinto after the death of the Marquis' first wife, Mademoiselle de Rochefide, or Rochegude. The eldest had taken the veil in 1822. The second, Mademoiselle Clotilde Frederique, at this time seven-and-twenty years of age, was deeply in love with Lucien de Rubempre. It need not be asked whether the Duc de Grandlieu's mansion, one of the finest in the Rue Saint-Dominique, did not exert a thousand spells over Lucien's imagination. Every time the heavy gate turned on its hinges to admit his cab, he experienced the gratified vanity to which Mirabeau confessed.
"Though my father was a mere druggist at l'Houmeau, I may enter here!" This was his thought.
And, indeed, he would have committed far worse crimes than allying himself with a forger to preserve his right to mount the steps of that entrance, to hear himself announced, "Monsieur de Rubempre" at the door of the fine Louis XIV. drawing-room, decorated in the time of the grand monarque on the pattern of those at Versailles, where that choicest circle met, that cream of Paris society, called then le petit chateau.
The noble Portuguese lady, one of those who never care to go out of their own home, was usually the centre of her neighbors' attentions—the Chaulieus, the Navarreins, the Lenoncourts. The pretty Baronne de Macumer—nee de Chaulieu—the Duchesse de Maufrigneuse, Madame d'Espard, Madame de Camps, and Mademoiselle des Touches—a connection of the Grandlieus, who are a Breton family—were frequent visitors on their way to a ball or on their return from the opera. The Vicomte de Grandlieu, the Duc de Rhetore, the Marquis de Chaulieu—afterwards Duc de Lenoncourt-Chaulieu—his wife, Madeleine de Mortsauf, the Duc de Lenoncourt's grand-daughter, the Marquis d'Ajuda-Pinto, the Prince de Blamont-Chauvry, the Marquis de Beauseant, the Vidame de Pamiers, the Vandenesses, the old Prince de Cadignan, and his son the Duc de Maufrigneuse, were constantly to be seen in this stately drawing-room, where they breathed the atmosphere of a Court, where manners, tone, and wit were in harmony with the dignity of the Master and Mistress whose aristocratic mien and magnificence had obliterated the memory of their servility to Napoleon.
The old Duchesse d'Uxelles, mother of the Duchesse de Maufrigneuse, was the oracle of this circle, to which Madame de Serizy had never gained admittance, though nee de Ronquerolles.
Lucien was brought thither by Madame de Maufrigneuse, who had won over her mother to speak in his favor, for she had doted on him for two years; and the engaging young poet had kept his footing there, thanks to the influence of the high Almoner of France, and the support of the Archbishop of Paris. Still, he had not been admitted till he had obtained the patent restoring to him the name and arms of the Rubempre family. The Duc de Rhetore, the Chevalier d'Espard, and some others, jealous of Lucien, periodically stirred up the Duc de Grandlieu's prejudices against him by retailing anecdotes of the young man's previous career; but the Duchess, a devout Catholic surrounded by the great prelates of the Church, and her daughter Clotilde would not give him up.
Lucien accounted for these hostilities by his connection with Madame de Bargeton, Madame d'Espard's cousin, and now Comtesse du Chatelet. Then, feeling the importance of allying himself to so powerful a family, and urged by his privy adviser to win Clotilde, Lucien found the courage of the parvenu; he came to the house five days in the week, he swallowed all the affronts of the envious, he endured impertinent looks, and answered irony with wit. His persistency, the charm of his manners, and his amiability, at last neutralized opposition and reduced obstacles. He was still in the highest favor with Madame de Maufrigneuse, whose ardent letters, written under the influence of her passion, were preserved by Carlos Herrera; he was idolized by Madame de Serizy, and stood well in Mademoiselle des Touches' good graces; and well content with being received in these houses, Lucien was instructed by the Abbe to be as reserved as possible in all other quarters.
"You cannot devote yourself to several houses at once," said his Mentor. "The man who goes everywhere finds no one to take a lively interest in him. Great folks only patronize those who emulate their furniture, whom they see every day, and who have the art of becoming as necessary to them as the seat they sit on."
Thus Lucien, accustomed to regard the Grandlieus' drawing-room as his arena, reserved his wit, his jests, his news, and his courtier's graces for the hours he spent there every evening. Insinuating, tactful, and warned by Clotilde of the shoals he should avoid, he flattered Monsieur de Grandlieu's little weaknesses. Clotilde, having begun by envying Madame de Maufrigneuse her happiness, ended by falling desperately in love with Lucien.
Perceiving all the advantages of such a connection, Lucien played his lover's part as well as it could have been acted by Armand, the latest jeune premier at the Comedie Francaise.
He wrote to Clotilde, letters which were certainly masterpieces of literary workmanship; and Clotilde replied, vying with him in genius in the expression of perfervid love on paper, for she had no other outlet. Lucien went to church at Saint-Thomas-d'Aquin every Sunday, giving himself out as a devout Catholic, and he poured forth monarchical and pious harangues which were a marvel to all. He also wrote some exceedingly remarkable articles in papers devoted to the "Congregation," refusing to be paid for them, and signing them only with an "L." He produced political pamphlets when required by King Charles X. or the High Almoner, and for these he would take no payment.
"The King," he would say, "has done so much for me, that I owe him my blood."
For some days past there had been an idea of attaching Lucien to the prime minister's cabinet as his private secretary; but Madame d'Espard brought so many persons into the field in opposition to Lucien, that Charles X.'s Maitre Jacques hesitated to clinch the matter. Nor was Lucien's position by any means clear; not only did the question, "What does he live on?" on everybody's lips as the young man rose in life, require an answer, but even benevolent curiosity—as much as malevolent curiosity—went on from one inquiry to another, and found more than one joint in the ambitious youth's harness.
Clotilde de Grandlieu unconsciously served as a spy for her father and mother. A few days since she had led Lucien into a recess and told him of the difficulties raised by her family.
"Invest a million francs in land, and my hand is yours: that is my mother's ultimatum," Clotilde had explained.
"And presently they will ask you where you got the money," said Carlos, when Lucien reported this last word in the bargain.
"My brother-in-law will have made his fortune," remarked Lucien; "we can make him the responsible backer."
"Then only the million is needed," said Carlos. "I will think it over."
To be exact as to Lucien's position in the Hotel Grandlieu, he had never dined there. Neither Clotilde, nor the Duchesse d'Uxelles, nor Madame de Maufrigneuse, who was always extremely kind to Lucien, could ever obtain this favor from the Duke, so persistently suspicious was the old nobleman of the man that he designated as "le Sire de Rubempre." This shade of distinction, understood by every one who visited at the house, constantly wounded Lucien's self-respect, for he felt that he was no more than tolerated. But the world is justified in being suspicious; it is so often taken in!
To cut a figure in Paris with no known source of wealth and no recognized employment is a position which can by no artifice be long maintained. So Lucien, as he crept up in the world, gave more and more weight to the question, "What does he live on?" He had been obliged indeed to confess to Madame de Serizy, to whom he owed the patronage of Monsieur Granville, the Public Prosecutor, and of the Comte Octave de Bauvan, a Minister of State, and President of one of the Supreme Courts: "I am dreadfully in debt."
As he entered the courtyard of the mansion where he found an excuse for all his vanities, he was saying to himself as he reflected on Trompe-la-Mort's scheming:
"I can hear the ground cracking under my feet!"
He loved Esther, and he wanted to marry Mademoiselle de Grandlieu! A strange dilemma! One must be sold to buy the other.
Only one person could effect this bargain without damage to Lucien's honor, and that was the supposed Spaniard. Were they not bound to be equally secret, each for the other? Such a compact, in which each is in turn master and slave, is not to be found twice in any one life.
Lucien drove away the clouds that darkened his brow, and walked into the Grandlieu drawing-room gay and beaming. At this moment the windows were open, the fragrance from the garden scented the room, the flower-basket in the centre displayed its pyramid of flowers. The Duchess, seated on a sofa in the corner, was talking to the Duchesse de Chaulieu. Several women together formed a group remarkable for their various attitudes, stamped with the different expression which each strove to give to an affected sorrow. In the fashionable world nobody takes any interest in grief or suffering; everything is talk. The men were walking up and down the room or in the garden. Clotilde and Josephine were busy at the tea-table. The Vidame de Pamiers, the Duc de Grandlieu, the Marquis d'Ajuda-Pinto, and the Duc de Maufrigneuse were playing Wisk, as they called it, in a corner of the room.
When Lucien was announced he walked across the room to make his bow to the Duchess, asking the cause of the grief he could read in her face.
"Madame de Chaulieu has just had dreadful news; her son-in-law, the Baron de Macumer, ex-duke of Soria, is just dead. The young Duc de Soria and his wife, who had gone to Chantepleurs to nurse their brother, have written this sad intelligence. Louise is heart-broken."
"A women is not loved twice in her life as Louise was loved by her husband," said Madeleine de Mortsauf.
"She will be a rich widow," observed the old Duchesse d'Uxelles, looking at Lucien, whose face showed no change of expression.
"Poor Louise!" said Madame d'Espard. "I understand her and pity her."
The Marquise d'Espard put on the pensive look of a woman full of soul and feeling. Sabine de Grandlieu, who was but ten years old, raised knowing eyes to her mother's face, but the satirical glance was repressed by a glance from the Duchess. This is bringing children up properly.
"If my daughter lives through the shock," said Madame de Chaulieu, with a very maternal manner, "I shall be anxious about her future life. Louise is so very romantic."
"It is so difficult nowadays," said a venerable Cardinal, "to reconcile feeling with the proprieties."
Lucien, who had not a word to say, went to the tea-table to do what was polite to the demoiselles de Grandlieu. When the poet had gone a few yards away, the Marquise d'Espard leaned over to whisper in the Duchess' ear:
"And do you really think that that young fellow is so much in love with your Clotilde?"
The perfidy of this question cannot be fully understood but with the help of a sketch of Clotilde. That young lady was, at this moment, standing up. Her attitude allowed the Marquise d'Espard's mocking eye to take in Clotilde's lean, narrow figure, exactly like an asparagus stalk; the poor girl's bust was so flat that it did not allow of the artifice known to dressmakers as fichus menteurs, or padded habitshirts. And Clotilde, who knew that her name was a sufficient advantage in life, far from trying to conceal this defect, heroically made a display of it. By wearing plain, tight dresses she achieved the effect of that stiff prim shape which medieval sculptors succeeded in giving to the statuettes whose profiles are conspicuous against the background of the niches in which they stand in cathedrals.
Clotilde was more than five feet four in height; if we may be allowed to use a familiar phrase, which has the merit at any rate of being perfectly intelligible—she was all legs. These defective proportions gave her figure an almost deformed appearance. With a dark complexion, harsh black hair, very thick eyebrows, fiery eyes, set in sockets that were already deeply discolored, a side face shaped like the moon in its first quarter, and a prominent brow, she was the caricature of her mother, one of the handsomest women in Portugal. Nature amuses herself with such tricks. Often we see in one family a sister of wonderful beauty, whose features in her brother are absolutely hideous, though the two are amazingly alike. Clotilde's lips, excessively thin and sunken, wore a permanent expression of disdain. And yet her mouth, better than any other feature of her face, revealed every secret impulse of her heart, for affection lent it a sweet expression, which was all the more remarkable because her cheeks were too sallow for blushes, and her hard, black eyes never told anything. Notwithstanding these defects, notwithstanding her board-like carriage, she had by birth and education a grand air, a proud demeanor, in short, everything that has been well named le je ne sais quoi, due partly, perhaps, to her uncompromising simplicity of dress, which stamped her as a woman of noble blood. She dressed her hair to advantage, and it might be accounted to her for a beauty, for it grew vigorously, thick and long.
She had cultivated her voice, and it could cast a spell; she sang exquisitely. Clotilde was just the woman of whom one says, "She has fine eyes," or, "She has a delightful temper." If any one addressed her in the English fashion as "Your Grace," she would say, "You mean 'Your leanness.'"
"Why should not my poor Clotilde have a lover?" replied the Duchess to the Marquise. "Do you know what she said to me yesterday? 'If I am loved for ambition's sake, I undertake to make him love me for my own sake.'—She is clever and ambitious, and there are men who like those two qualities. As for him—my dear, he is as handsome as a vision; and if he can but repurchase the Rubempre estates, out of regard for us the King will reinstate him in the title of Marquis.—After all, his mother was the last of the Rubempres."
"Poor fellow! where is he to find a million francs?" said the Marquise.
"That is no concern of ours," replied the Duchess. "He is certainly incapable of stealing the money.—Besides, we would never give Clotilde to an intriguing or dishonest man even if he were handsome, young, and a poet, like Monsieur de Rubempre."
"You are late this evening," said Clotilde, smiling at Lucien with infinite graciousness.
"Yes, I have been dining out."
"You have been quite gay these last few days," said she, concealing her jealousy and anxiety behind a smile.
"Quite gay?" replied Lucien. "No—only by the merest chance I have been dining every day this week with bankers; to-day with the Nucingens, yesterday with du Tillet, the day before with the Kellers——"
Whence, it may be seen, that Lucien had succeeded in assuming the tone of light impertinence of great people.
"You have many enemies," said Clotilde, offering him—how graciously!—a cup of tea. "Some one told my father that you have debts to the amount of sixty thousand francs, and that before long Sainte-Pelagie will be your summer quarters.—If you could know what all these calumnies are to me!—It all recoils on me.—I say nothing of my own suffering—my father has a way of looking that crucifies me—but of what you must be suffering if any least part of it should be the truth."
"Do not let such nonsense worry you; love me as I love you, and give me time—a few months——" said Lucien, replacing his empty cup on the silver tray.
"Do not let my father see you; he would say something disagreeable; and as you could not submit to that, we should be done for.—That odious Marquise d'Espard told him that your mother had been a monthly nurse and that your sister did ironing——"
"We were in the most abject poverty," replied Lucien, the tears rising to his eyes. "That is not calumny, but it is most ill-natured gossip. My sister now is a more than millionaire, and my mother has been dead two years.—This information has been kept in stock to use just when I should be on the verge of success here——"
"But what have you done to Madame d'Espard?"
"I was so rash, at Madame de Serizy's, as to tell the story, with some added pleasantries, in the presence of MM. de Bauvan and de Granville, of her attempt to get a commission of lunacy appointed to sit on her husband, the Marquis d'Espard. Bianchon had told it to me. Monsieur de Granville's opinion, supported by those of Bauvan and Serizy, influenced the decision of the Keeper of the Seals. They all were afraid of the Gazette des Tribunaux, and dreaded the scandal, and the Marquise got her knuckles rapped in the summing up for the judgment finally recorded in that miserable business.
"Though M. de Serizy by his tattle has made the Marquise my mortal foe, I gained his good offices, and those of the Public Prosecutor, and Comte Octave de Bauvan; for Madame de Serizy told them the danger in which I stood in consequence of their allowing the source of their information to be guessed at. The Marquis d'Espard was so clumsy as to call upon me, regarding me as the first cause of his winning the day in that atrocious suit."
"I will rescue you from Madame d'Espard," said Clotilde.
"How?" cried Lucien.
"My mother will ask the young d'Espards here; they are charming boys, and growing up now. The father and sons will sing your praises, and then we are sure never to see their mother again."
"Oh, Clotilde, you are an angel! If I did not love you for yourself, I should love you for being so clever."
"It is not cleverness," said she, all her love beaming on her lips. "Goodnight. Do not come again for some few days. When you see me in church, at Saint-Thomas-d'Aquin, with a pink scarf, my father will be in a better temper.—You will find an answer stuck to the back of the chair you are sitting in; it will comfort you perhaps for not seeing me. Put the note you have brought under my handkerchief——"
This young person was evidently more than seven-and-twenty.