Flatland
A Romance of Many Dimensions
With Illustrations
by the Author, A Square
"Fie, fie, how franticly I square my talk!'
London
Seeley & Co., 46, 47 & 48, Essex Street, Strand
(Late of 54 Fleet Street)
1884
To
The Inhabitants of Space in General
And H. C. in Particular
This Work is Dedicated
By a Humble Native of Flatland
In the Hope that
Even as he was Initiated into the Mysteries
Of Three Dimensions
Having been previously conversant
With Only Two
So the Citizens of that Celestial Region
May aspire yet higher and higher
To the Secrets of Four Five or even Six Dimensions
Thereby contributing
To the Enlargement of the Imagination
And the possible Development
Of that most rare and excellent Gift of Modesty
Among the Superior Races
Of Solid Humanity
Section | |
1 | Of the Nature of Flatland |
2 | Of the Climate and Houses in Flatland |
3 | Concerning the Inhabitants of Flatland |
4 | Concerning the Women |
5 | Of our Methods of Recognizing one another |
6 | Of Recognition by Sight |
7 | Concerning Irregular Figures |
8 | Of the Ancient Practice of Painting |
9 | Of the Universal Colour Bill |
10 | Of the Suppression of the Chromatic Sedition |
11 | Concerning our Priests |
12 | Of the Doctrine of our Priests |
Part II | |
Section | |
13 | How I had a Vision of Lineland |
14 | How in my Vision I endeavoured to explain the nature of Flatland, but could not |
15 | Concerning a Stranger from Spaceland |
16 | How the Stranger vainly endeavoured to reveal to me in words the mysteries of Spaceland |
17 | How the Sphere, having in vain tried words; resorted to deeds |
18 | How I came to Spaceland and what I saw there |
19 | How, though the Sphere showed me other mysteries of Spaceland, I still desired more; and what came of it |
20 | How the Sphere encouraged me in a Vision |
21 | How I tried to teach the Theory of Three Dimensions to my Grandson, and with what success |
22 | How I then tried to diffuse the Theory of Three Dimensions by other means, and of the result |
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1926, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 97 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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