Hard Luck
I left the course, and by my side
There walked a ruined tout --
A hungry creature, evil-eyed,
Who poured this story out.
"You see," he said, "there came a swell
To Kensington today,
And, if I picked the winners well,
A crown at least he's pay.
"I picked three winners straight, I did;
I filled his purse with pelf,
And then he gave me half-a-quid
To back one for myself.
"A half-a-quid to me he cast --
I wanted it indeed;
So help me Bob, for two days past
I haven't had a feed.
"But still I thought my luck was in,
I couldn't go astray --
I put it all on Little Min,
And lost it straightaway.
"I haven't got a bite or bed,
I'm absolutely stuck;
So keep this lesson in your head:
Don't over-trust your luck!"
The folks went homeward, near and far,
The tout, oh! where is he?
Ask where the empty boilers are
Beside the Circular Quay.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
- government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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