Japan: Its History, Arts, and Literature/Volume 7/Index

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Appendix

Japan: Its History, Arts, and Literature, Volume VII (1902)
by Captain F. Brinkley

Pictoral Artists

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4109824Japan: Its History, Arts, and Literature, Volume VII1902Captain F. Brinkley

Index

INDEX

À jour, early use of chiselling, 74; bronze castings, 140; development of chiselling, 277–282.
Akao family, sword-decorators, 281.
Aki, Miyōchin, armourer, 263.
Alcove recess, decorative purpose of picture in, 3.
Alloys used in Japanese art, 232–236, 317; antimony ware, 318. See also Bronze.
Amida, seventh-century bronze statue of, 79.
Anami Kwōyetsu, lacquerer, 346, 360.
Anatomy, Japanese art attitude, 8, 33, 57, 200.
Anderson, William, on Chinese pictorial art, 24–26; on the Japanese Classical school, 39; on an ancient mural painting, 152.
Aoki family, sword-decorators, 269.
Applied art, Shōsō-in collection, 20, 87–89; first evidence, 72; shrines, 115; religious monopoly, 135; rise of secular, 135. See also Bronze, Enamel, Interior decoration. Iron, Lacquer, Metal-work, Sculpture, Sword-furniture.
Arakawa Reiun, wood-carver, 202.
Araki Kwampo, painter, 63.
Architecture, character of early Buddhist temples, 148. See also Interior decoration.
Ariyoshi Nagato-nō-Sho, mask-carver, 168.
Armour, beginning of decoration, 74, 205; Yoshitsune's, 205.
Bells, ancient, 72, 99; tone, 99, 101; dimensions, 100; metal, 101; proportions, 102; form, 103; decoration, 103; method of hanging, 103.
Bowes, J. L., mistake on Japanese enamels, 331, 375.
Boya Magojiuro, mask-carver, 166.
Bronze, Japanese, introduction of casting, 70; use in weapons, 71; stone moulds, 71; early mirrors and bells, 72, 96; method of constructing early statues, 75; early temple ornaments and decorations, 78; statues of the seventh century, 79; introduction of the cire-perdue process of casting, 80; Nara Daibutsu, 85, 132–134; objects in the Shōsō-in collection, 88, 89; temple bells, 99–104; gongs, 104; Kamakura Daibutsu, 111, 114, 120; composition, 125; quality, 127; yellow, 128; process of casting, 129–134; Nagoshi family of art founders, 136–138; development of casting in Tokugawa epoch, 139–141; tōrō, 140; manufacture of parlour bronzes, 141–144; modern castings, 144–147; Occidental influence, 147; relation of the sculptor and founder, 148. See also Fine Arts, Sculpture.
Bronze age in Japan, 70.
Brush, Japanese painting, 11.
Buddhism, influence on Japanese art, 17–19, 29, 75, 82, 106, 119–125; influence on Chinese art, 21; character of religious paintings, 30; religious zeal of emperors, 108; temples monopolise sculptures, 117; character of early temples, 148–150; ceremonial splendour, 149.
Buncho, chromo-xylographer, 50.
Bunrin, painter, 62.
Bunzo, mask-carver, 165.
Buto Gempachi, sword-decorator, 303.
Button for girdle-pendants. See Netsuke.
Caricatures, character of Japanese, 36.
Castings. See Bronze, Iron.
Chamberlain, B. H., on Japanese pictorial art, 15.
Champlevé, variety of enamel decoration, 327. See also Enamel.
Chiaroscuro. See Light and shade.
Chigusa, mask-carver, 166.
Chikanobu. See Izeki Jirozaemon.
Chikudo Ganki. See Ganki.
China, relation to Japanese art, 16–24, 37–40, 78, 367; prehistoric contact with Japan, 98; character of sculpture, 119.
Chiselling, varieties of chisels, 229; methods, 241–243, 247, 274. See also Metal-work, Sculpture, Sword-furniture.
Chiyo family, sword-decorators, 286.
Chō Dense. See Meichō.
Choan, Kōami, lacquerer, 360.
Chobunsai, chromo-xylographer, 50
Chōen, sculptor, 110.
Chōhei, lacquerer, 363.
Chōho, Kōami, lacquerer, 361.
Chōkyu, Kōami, lacquerer, 361.
Chosei, sculptor, 110.
Chōshiu province, school of sword-decorators, 279.
Chōshun, sculptor, 110.
Choun Yasuyoshi, Deme, mask-carver, 167.
Chromo-xylography. See Wood.
Chuen, sculptor, 1 10.
Civilisation, Japanese, European attitude toward, 1; gradual influence of the Occident before the Revolution of 1867, 65; ancient, industrial rather than agricultural, 69; prehistoric contact with China and Korea, 98; art instinct, 177; attitude toward art and nature, 225–227.
Classical school of pictorial art, characteristics, 38–40; branches, 40. See also Kose school, Pictorial art.
Clay statues, technique, 84; famous, 86. See also Sculpture.
Cloisonné, variety of enamel decoration, 327. See also Enamel.
Colour in art, Chinese use, 22, 24; in religious pictures, 30; in decorations of the Kano school, 42; hand-coloured prints, 47; development of chromo-xylographs, 48–50; Japanese knowledge and use, 56, 160; in interior decorations, 159.
Conder, J., on character of Japanese decorative designs, 158.
Copper, use in sword-decorating, 236.
Costumes. See Sage-mono.
Daibutsu, Nara, 85, 132–134; Kamakura, 111, 114, 120.
Dansho, mask-carver, 166.
Deme family, mask-carvers, 166, 167.
Dengyō Daishi, artist-priest, 29, 109.
Deva Kings (Shi-Tennō), eighth-century clay statues of, 86; (Ni-ō) temple Kofuku-ji statues, 112; temple Todai-ji statues, 113.
Distemper, use in Japanese decoration, 152.
Dōchō, Kōami, lacquerer, 345.
Door, panel paintings, 3.
Dōsei, Kōami, lacquerer, 345, 361.
Dragon in Japanese art, 253.
Drama, popularity of the No, 162; use of masks, 163; influence on the theatre, 164.
Drawing. See Line.
Echi Yoshifune, mask-carver, 165.
Economic condition, ancient, 69.
Eishin, Hidari, decorative-sculptor, 161.
Eitoku, painter, 42.
Eiyen, sculptor, 116.
Enamel, as sword-decoration, 285; composition, 327; varieties, 327; introduction, 328, 329, 332; technique, 328, 376; former uses, 330–333, 375; modern development, 333–340; Japanese and Chinese, compared, 340.
Engraving. See Metal, Wood.
Ensei, sculptor, 110.
Enso, sculptor, 109.
Eshin, sculptor-priest, 109.
Fenollosa, E. F., on Japanese pictorial art, 15.
Feudalism, influence on Japanese art, 38, 111.
Fine arts, Japanese, genesis, 17–19, 193; influence of Buddhism, 29, 82, 106, 119–125; continuity of development, 70; character of artists, 156, 161, 318; instinct, 177; attitude toward the nude, 180; canons, 191, 203; conscientiousness, 208; Japanese attitude toward, 225–227, 229; effect of the Revolution of 1867 and a foreign market, 322–325. See also Bronze, Enamel, Interior decoration, Lacquer, Metal-work, Pictorial art, Sculpture, Sword-furniture.
Forgery in Japanese fine arts, 324.
Fresco painting not employed by Japanese, 152.
Fujii family, sword-decorators, 280.
Fukurai Masatomo, mask-carver, 166.
Fukushima Kagan, figure-sculptor, 200.
Fusayoshi, Miyōchin, armourer, 267.
Ganki, painter, 62.
Ganku, painter, 60.
Ganku, sculptor-priest, 110.
Gekkei, painter, 62.
Genjiro. See Jirozaemon Yoshimitsu.
Genkiu Mitsufusa, Deme, mask-carver, 167.
Genkiu Mitsunaga, Deme, mask-carver, 167.
Genkiu Mitsushige, Deme, mask-carver, 167.
Genkiu Mitsuzane, Deme, mask-carver, 167.
Genre painting, development, 44.
Genri Toshimitsu, Deme, mask-carver, 167.
Genri Yoshimitsu, Deme, mask-carver, 167.
Gensuke Hidemitsu, Deme, mask-carver, 167.
Gensuke Mitsukira, Deme, mask-carver, 167.
Gilding, method, 370.
Girdle pendants. See Sage-mono.
Girls' fête, dolls, 194.
Gold, use in Japanese art, 74, 229–231; surfacing debased, 231, 371; method of gilding with, 370; process of refining, 371.
Golden Pavilion, decoration, 153, 369.
Gongs, origin, 104; varieties, 104; tone, 105.
Gonse, Louis, on Japanese pipe cases, 190; on motives in sword-decoration, 227; on Japanese lacquer, 360; on the Goto family, 373; misapprehensions on sword-decorators, 373.
Gorobei, sword-decorator, 287.
Goto family, sword-decorators, 212, 219–225, 298; skill and motives of early masters, 252–260, 373; art influence, 260, 261, 272; branches, 299.
Gowland, W., on quality of Japanese bronze, 127; on method of casting bronze, 129–132; on Japanese alloys, 232, 235; on method of gilding, 370; on refining processes, 371; on "surfacing" metals, 371.
Graining of metals for art use, 245–247; origin, 262.
Greek art and Japanese art, 17–19, 78, 80, 119–122, 124, 368; and Chinese art, 21.
Guard, sword, 219; development of decoration, 250, 261–265, 277; materials, 265.
Gunkei, mask-carver, 166.
Guri-bori, variety of metal decoration, 247.
Gyogi, sculptor-priest, 81.
Hadagoro, lacquerer, 345, 360.
Hamano family, sword-decorators, 291, 303, 306, 375.
Hammering of metal, 312.
Han Kan, Chinese artist, 22.
Hanzan, lacquerer, 363.
Hanzo. See Hokan Mitsunao.
Hanzo Yasukore, Deme, mask-carver, 167.
Hara Yōyusai, lacquerer, 362.
Haruaki, Ishiguro, sword-decorator, 302.
Harukuni, Okamoto, sword-decorator, 294.
Harunari, Hirata, sword-decorator, 285, 308.
Harunobu, Suzuki, chromo-xylographer, 49, 50.
Haruwaka Tadatsugu, mask-carver, 166.
Haruyori. See Shunzui.
Hasegawa Kumazo, art-founder, 145, 147.
Hashi-ichi, sculptor, 191.
Hashimoto Gaho, painter, 63; western influence upon, 68.
Heian epoch, and the beginning of secular pictorial art, 27–29; character of sculpture in, 106–109.
Hibi Munetada, mask-carver, 165.
Hidekiyo, Omori, sword-decorator, 303.
Hidenori, Omori, sword-decorator, 303.
Hidetomo, Omori, sword-decorator, 303.
Hidetsugu, lacquerer, 345, 360.
Hideyori. See Shuzui.
Hideyori, Omori, sword-decorator, 303.
Hideyoshi, Omori, sword-decorator, 303.
Hideyoski, the Taikō, as an art patron, 135, 150, 162; Palace of Pleasure, 270.
Hien Wantsz, sculptor, 81.
Hikoshiro, Hirata, sword-decorator, 285.
Hirata family, sword-decorators and enamellers, 285, 300, 312, 332.
Hiroshige, chromo-xylographer, 50.
Hirotaka, painter, 31, 35.
Hiroyoshi, Kuwamura, sword-decorator, 272.
Hisayori. See Juzui, Kiuzui.
Hishigawa Moronobu, xylographer, 46.
Hōgen, art title, 117.
Hōin, art title, 110.
Hokan Mitsunao, Deme, mask-carver, 167.
Hokke-do Trinity, famous group of dry lacquer statues, 86.
Hokkei, chromo-xylographer, 50.
Hokusai, art characteristics, 9, 10; chromo-xylographer, 50; traces of Western influence upon, 67.
Hōkyō, art title, 110.
Honjo Yoshitane, swordsmith and decorator, 309.
Horai Ujitoki, mask-carver, 166.
Horu-ji, temple, ancient distemper painting in, 152.
Hōshō family, No dancers, 162.
Hosono Masamori, inlayer, 273.
Hotokusai, art-founder, 144.
Hoyen, painter, 62.
Hozan, mask-carver, 166.
Humour in Japanese sculpture, 85. See also Caricatures.
Ichibei, Nara, sword-decorator, 288.
Ichijo, Goto, sword-decorator, 298–301; specimens of his work, 307.
Ichikawa Hirosuke, alleged sword-decorator, 218.
Ideographa, influence on pictorial art, 8, 11, 31; helmet characters, 262.
Igarashi Dōho, lacquerer, 361.
Igarashi Shinsai, lacquerer, 345, 361.
Illustrations, freaks, 33; of the Tosa school, 34; development of wood engraving, 45–47; hand-coloured prints, 47; development of coloured prints, 48–51; technique of coloured prints, 51–55. See also Pictorial art.
Imao Keinen, painter, 63.
Inaba-no-suke, title used by Yoshioka family, 283, 284.
Inchō, sculptor, 110.
Inchu, sculptor, 116.
Industry in ancient Japan, 69.
Injin, sculptor, 116.
Injo, sculptor, 110, 116.
Inkaku, sculptor, 110.
Inken, sculptor, 116.
Inkō, sculptor, 116.
Inku, sculptor, 116.
Inlaying, in sword-decoration, 220, 272; varieties, 243–245; inserted, 313; sepia, 315; ground-out, 315.
Inouye family, sword-decorators, 286.
Inro, girdle pendant, original and acquired use and fashion, 173; its cord-clutch, 173; decoration, 186.
Insertion in metal work, 313.
Inshu, sculptor, 116.
Inso, sculptor, 116.
Inson, sculptor, 110.
Interior decoration, decorative purpose of Japanese pictures, 3, 34, 42; growth of demand, 32, 42, 43; seventh-century temple, 78; early use of pictorial, 149, 151–153; development of sculptured, 150; pictorial, of the Golden and Silver Pavilions, 153; pictorial and sculptured, of Nishi Hongwan-ji, 154; pictorial and sculptured, of the Nikkō mausoleum, 155–157; general and particular aspects, 157; character of designs, 158; use of colours, 159; use of metal-carvings, 326.
Inyu, sculptor, 116.
Ippitsusai, chromo-xylographer, 50.
Iron, displaces bronze in swords, 71; ancient bell-shaped castings of unknown use, 73; first manufacture of vessels of, 136; tea-ceremonial urn and its influence, 136–138; in sword-decoration, 236; patina, 237. See also Bronze, Metal-work.
Iron age in Japan, 70.
Ishiguro family, sword-decorators, 301, 306.
Ishikawa Riuyemon Shigemasa, mask-carver, 165.
Isono family, metal-carvers and inlayers, 284.
Ito family, sword-decorators, 282, 296.
Ittan. See Sanehisa.
Ittosai, mask-carver, 165.
Iwamoto family, sword-decorators, 286, 293, 303, 306.
Iwasa Matahei, painter, 44.
Iyefusa, Miyōchin, armourer, 267.
Iyemasa, Nagoshi, art-founder, 138.
Iyetsugu, Jiyemon, art-founder, 141.
Iyeyasu, Shōgun, mausoleum, 154.
Izeki Jirozaemon, mask-carver, 168.
Izeki Kawachi Iyeshige, mask-carver, 168.
Izuka Tōyō, lacquerer, 362.
Jakushi. See Kizayemon.
Jikan Yoshimitsu, Deme, mask-carver, 166.
Jimpo, Nomura, sword-decorator, 287.
Jingo, Aoki, sword-decorator, 269.
Jingoro, Hidari, decorative-sculptor, 151, 156, 157.
Jirozaemon Mitzuteru, Deme, mask-carver, 167.
Jirozaemon Norimitsu, Deme, mask-carver, 167.
Jirozaemon Yoshimitsu, Deme, mask-carver, 167.
Jitsuye, artist-priest, 29.
Jiunin, mask-carver, 166.
Jiyemon family, art-founders, 141.
Jōchiku, Isono, metal-carver, 284.
Jōchō, sculptor, 107, 110; record of his work, 168; titles, 109, 110.
Jōhō, art-founder, 138.
Joi, Nara, sword-decorator, 289; specimen of his work, 375.
Jokaku, sculptor, 111; his Deva Kings, 113.
Jōkasai, lacquerer, 363.
Jokei. See Gensuke Hidemitsu.
Jomi. See Sanshō.
Jōsei, art-founder, 138.
Josetsu, artist-priest, 37, 40.
Joshin. See Gensuke Hidemitsu.
Jōshin, Goto, sword-decorator, 220, 259.
Jotetsu, Isono, metal-carver, 285.
Jōun. See Oshima Katsujiro.
Jōyen, sculptor, 116.
Jōyu, Nagoshi, art-founder, 138.
Jubei, Aoki, sword-decorator, 269.
Jujō, Goto, sword-decorator, 223.
Juzui, Hamano, sword-decorator, 303.
Kacho, metal-carver, 326.
Kaga province as an art centre, 270.
Kaikei, sculptor, 116.
Kaji Tsunekichi, enameler, 333.
Kajikawa Kaijiro, lacquerer, 362.
Kakino Moto-no-Otoma, sculptor, 81.
Kakōsai, lacquerer, 363.
Kaku-no-bo, mask-carver, 166.
Kakujo, sculptor, 110.
Kakuyu, Minamoto no, caricaturist, 36.
Kamakura epoch. See Military epoch.
Kambayashi Rakkiken, figure-sculptor, 200.
Kame, art-founder, 142.
Kameyama Yasutomo, art-founder, 141.
Kamparu family, No dancers, 162.
Kan-Kan. See Han Kan.
Kanaoka, Kose no, painter, Chinese influence on, 16, 22; position, 28; style, 28; no surviving pictures, 28; and the Kose school, 34.
Kanashi, sculptor, 80.
Kanaya, metal-carver, 270.
Kanaya Gorosaburo, art-founder, 145.
Kanazawa as an art centre, 271.
Kaneiye, sword-decorator, 250, 266.
Kaneko family, sword-decorators, 286.
Kano Natsuo, sword-decorator, 309.
Kano school of pictorial art, branch of the Classical school, 40; development of the decorative method, 42. See also Pictorial art.
Kansai, chromo-xylographer, 51.
Kansai, Koma, lacquerer, 362.
Kansei, sculptor, 109.
Kanyen, sculptor, 116.
Kashiwaya Nagatsune, metal-carver, 295.
Kasuga Motomitsu, painter, alleged founder of the Yamato school, 32, 33.
Kasuga Tori, mask-carver, 166.
Kasuga school of pictorial art, 33. See also Pictorial art, Yamato school.
Kata-kiri style of incised chiselling, 274.
Katsugi Uji-iye, sword-decorator, 272.
Katsukawa Shunsho, chromo-xylographer, 50.
Katsukawa Shunyei, chromo-xylographer, 50.
Katsumasa, Hidan, decorative-sculptor, 161.
Kawabata Gyokusho, painrer, 63.
Kawanari, painter, traditional skill and originality, 27.
Kawanobe Itcho, lacquerer, 363.
Kawarabayashi Hidekuni, sword-decorator, 310.
Kazutomo, Omori, sword-decorator, 303.
Keibun, painter, 62.
Keibunkai, sculptor, 81.
Keibunkomi, sculptor, 81.
Keijo, sword-decorator, 224.
Keisai, art-founder, 143.
Kenjō, Goto, sword-decorator, 221, 222.
Kenyen, sculptor, 110.
Kichijo-in, mask-carver, 166.
Kijima Ippu, inlayer, 315.
Kikuchi Yosai, painter, 62.
Kikugawa Utamaro, chromo-xylographer, 50.
Kimara, sculptor, 80.
Kimimaro, sculptor, founder of the Nara Daibutsu, 81.
Kimmochi, painter, 35.
Kinai family, sword-decorators, 280, 374.
Kinchaku, different uses, 169; method of wearing, 169. See also Sage-mono.
Kinonaga, Torii, chromo-xylographer, 50.
Kintada, painter, 35.
Kishiu, Miyōchin, armourer, 263.
Kitagawa Sōden, sword-decorator, 283.
Kitao Shigemasa, chromo-xylographer, 50.
Kiuhaku, Koma, lacquerer, 361.
Kiui, Koma, lacquerer, 361.
Kiushiu. See Izeki Jirozaemon.
Kiuzui, Hamano, sword-decorator, 303.
Kiyohiro, Torii, chromo-xylographer, 48.
Kiyōji-tate, shape, use, and decoration, 192.
Kiyomasu, Torii, chromo-xylographer, 48.
Kiyomitsu, mask-carver, 165.
Kiyomitsu, Torii, chromo-xylographer, 48.
Kiyonaga, Torii, chromo-xylographer, 50.
Kiyonari, Ishiguro, sword-decorator, 302.
Kiyonobu, Torii, chromo-xylographer, 48.
Kiyōsai, chromo-xylographer, 51; on motion in art, 57; as a genre painter, 62.
Kiyoshige, Torii, chromo-xylographer, 48.
Kizan. See Jikan.
Kizayemon, sword -decorator, 290.
Kōami family, lacquerers, 345, 360, 361.
Kōben, sculptor, 113, 116; his Demon-lantern-bearers, 113.
Kōbo Daishi, artist-priest, 29, 109; no surviving pictures, 30; brings pictures from China, 367.
Kōchō, sculptor, 110.
Kodama Choyemon Yoshimitsu, mask-carver, 168.
Kodama Omi Mitsumasa, mask-carver, 168.
Kōgai, origin, 218; origin of decoration, 251. See also Sword-furniture.
Kogitsune, metal-carver, 282.
Kōgō, use and decoration, 192.
Koji, Yamagawa, sword-decorator, 309.
Kōjo, sculptor, 110.
Kōkei, sculptor, 113, 116.
Kōkitsu, sculptor, 116.
Kokō. See Hiroyoshi.
Koma family, lacquerers, 361, 362.
Ko-maro, sculptor, 109.
Kongō family, No dancers, 162.
Konju, Iwamoto, sword-decorator, 303.
Konkwan, Iwamoto, sword-dccorator, 293.
Korea, influence on Japanese art, 16–19, 76; prehistoric contact with Japan, 98.
Koreo, Ishiguro, sword-decorator, 302.
Koreshige, painter, 35.
Koreshige, Ishiguro, sword-decorator, 302.
Koretsune, Ishiguro, sword-decorator, 302.
Koreyoshi, Ishiguro, sword-decorator, 302; specimen of his work, 306.
Kōrin, painter, 62.
Kōrin, sculptor, 116.
Koriu-ji, temple, bronze statues of seventh century in, 79.
Koriusai, chromo-xylographer, 50.
Kose no Kanaoka. See Kanaoka.
Kose school of pictorial art, Chinese style, 34; object of its work, 36. See also Pictorial Art.
Kōsei, sculptor, 116.
Kōshin, sculptor, 116.
Kōsho, Heian-epoch sculptor, 107, 110; titles, 109.
Kōshō, Military-epoch sculptor, 116.
Kōshu, sculptor, 116.
Kōshun, sculptor, 116.
Kōson, sculptor, 116.
Kōtan, sculptor, 116.
Kōun, Heian-epoch sculptor-priest, 109.
Kōun, Military-epoch sculptor-priest, 116.
Kōun, Takamura, sculptor, 201; school, 201.
Koushi, mask-carver, 165.
Kōyei, sculptor, 116.
Kōyō, sculptor, 116.
Kōyu, sculptor, 116.
Kozuka, origin of wearing, 218; origin of decoration, 251. See also Sword-furniture.
Kubo Shunman, chromo-xylographer, 50.
Kukai. See Kōbō Daishi.
Kumagaye Naohiko, painter, 63.
Kuninaga, sword-dccorator, 272, 374.
Kusakari Kiyosada, inlayer, 296.
Kuwamura family, sword-decorators, 271.
Kwaikei, sculptor, 111; his Deva Kings, 113.
Kwanjo, Iwamoto, sword-decorator, 203.
Kwannon, goddess of mercy, Shotoku's statue, 77; wooden statue in temple Hokke-ji, 87.
Kwanri, Iwamoto, sword-decorator, 303.
Kwanze family, No dancers, 162.
Kwōjō, Goto, sword-decorator, 221, 222; style, 259.
Kyōtō, capital of Japan, influence on art development, 32.
Lacquer, statues, 84, 86; qualities, 341; introduction, 342; development and use, 343–345, 346, 349; early master lacquerers, 345; modern conditions, 349; technique, 349–354, 377; decoration, 354–358; special varieties, 358–360.
Lapidary work, ancient Japanese, 92.
Leather used in girdle-pendants, 170.
Light and shade, in Japanese pictures, 5, 15, 30, 59; in Chinese pictures, 22, 25.
Line, in Japanese art, influence of ideographs, 8; styles of touch, 9; influence of artist's position while painting, 12; precedence, 12, 57, 58, 229; in Chinese art, 22; in religious pictures, 30; in caricatures, 36; development in incised chiselling, 274.
Makunosuke. See Choun.
Mambi. See Tosui.
Manku. See Tosui.
Mannerisms and copying in Japanese pictures, 13.
Mansho. See Kodama Omi.
Manual dexterity of Japanese artists, 9–11.
Manyei. See Genkiu Mitsunaga.
Maruyama Okio, painter, founder of the Shi-jo school, 59, 60.
Masachika, Nara, sword-decorator, 289.
Masaharu, Ishiguro, sword-decorator, 302.
Masahiro, Ishiguro, sword-decorator, 302.
Masakiyo, Ishiguro, sword-decorator, 302.
Masamine, Kōami, lacquerer, 361.
Masamitsu. See Yeijo.
Masamune no Busshi, sculptor, 109.
Masanaga, Nara, sword-decorator, 288, 289.
Masanobu, painter, founder of the Kano school, 40.
Masanobu, Nara, sword-decorator, 290.
Masatsugu. See Kenjō.
Masatsune, art-founder, 143.
Masatsune, Ishiguro, sword-decorator, 301.
Masatsune, Ito, sword-decorator, 282.
Masayori, Hamano, sword-decorator, 291.
Masayoshi, Ishiguro, sword-decorator, 302.
Masks, use in the No dance, 163; as works of art, 165; celebrated carvers, 165–168.
Masu-ya, artists called, 375.
Matabei, Muneta, sword-decorator, 268.
Mataemon, wood-carver, 150.
Matazayemon, Muneta, sword-decorator, 268.
Matsumoto Kisaburo, figure-sculptor, 200.
Mayeda Toshiiye, chief of Kaga, career, 270; art patron, 271.
Maze-gane, process in metal work, 314.
Medicine box. See Inro.
Meichō, painter, 31.
Meishin. See Shigeyoshi (Meishin).
Menesuke, Miyōchin, armourer, 262.
Menuki, sword-mount, origin of decoration, 217, 251. See also Sword-furniture.
Metal work, early development of decoration, 74, 78; in the Shōsō-in collection, 87–89; inlaying, 243–245; graining, 245–247; hammering, 312; insertion, 313; inserted inlaying, 313; maze-gane, 314; shibuichi-doshi, 314; sepia-inlaying, 315; ground-out inlaying, 315; in architectural decoration, 326. See also Alloys, Bronze, Gold, Iron, Sword-furniture.
Michitaka, Sok en Kishō on sword-decoration, 212–225.
Military epoch, virile character of sculpture, 110; specimens of religious sculpture, 111–114.
Ming dynasty, China, character of pictorial art, 43.
Minjo, sword-decorator, 310.
Minkoku, sword-decorator, 310.
Miroku, mask-carver, 165.
Mirrors, ancient, 72, 96, 368; magical, 98; antiquity, 368.
Mitsuiye. See Kwōjō.
Mitsumasa. See Jujō, Teijō.
Mitsumori. See Keijō.
Mitsune Nakai, sword-decorator, 279.
Mitsushige. See Sojukō.
Mitsutaka. See Yenjō.
Mitsutoshi. See Tsujō.
Mitsutsugu. See Tokujō.
Miyano, mask-carver, 166.
Miyata Chikugo, mask-carver, 168.
Miyochin family, armourers, 262, 267.
Miyoju. See Shigeyoshi (Miyoju).
Mizunō family, sword-decorators, 272.
Mogarashi. See Kitagawa.
Mokunosuke. See Tosui Mitsunori.
Money-pouch. See Kinchaku.
Monjushiri, thirteenth-century statue of, 113.
Mori Sosen, painter, 61.
Moriyoshi, Kuwamura, sword-decorator, 271.
Morotsugu. See Shigehiro.
Motochska, sword-decorator, 310.
Motomichi, sword-decorator, 310.
Motonari, sword-decorator, 310.
Motonobu, painter, founder of the Kano school, 40.
Muneta family, sword-decorators, 268.
Muneyuki, Umetada, sword-decorator, 282.
Myojun, sculptor-priest, 110.
Nagafusa, Kōami, lacquerer, 361.
Nagasaki as an art centre, 290.
Nagashige, Kōami, lacquerer, 361.

Nagata Tomoharu, lacquerer, 362.

Nagatsune, Yasui, metal-carver, 286.
Nagayoshi family, sword-decorators, 272.
Nagoshi family, art-founders, 136, 138.
Naka Mitsuyuki, Deme, mask-carver, 167.
Nakai family, sword-decorators, 279.
Nakayama, Kōmin, lacquerer, 362.
Nakayama Shōyeki, art-founder, 142.
Namikawa Sosuke, head of a school of enamelers, 336, 376.
Namikawa Yasuyuki, enameler, 336, 376.
Naomichi, Muneta, sword-decorator, 269.
Naomine, Muneta, sword-decorator, 269.
Naoshige, Muneta, sword-decorator, 269.
Naoshige, Okamoto, sword-decorator, 374.
Nara, capital of Japan, art objects, 19; condition of pictorial art in Nara epoch, 26; civilisation, 81; aspect of the city, 83.
Nara Busshi, 109.
Nara family, sword-decorators, 276, 289, 305.
Nara ningyo, and the netsuke, 175; form, 97, 199; history, 197–199, 369, 370.
Nature, Japanese attitude toward, 226.
Nen Kawo and the Chinese renaissance in Japanese art, 37.
Netsuke, origin, 174–176; decoration, 176; designs in decoration, 177–185, 191; material, 177; criterion of value, 181–183, 196; form, 185; uniqueness, 193; sculptors, 193, 195–197.
Nikkō, mask-carver, 165.
Nikkō mausoleum, interior decoration, 154, 159.
Ninomiya Tōtei, lacquerer, 362.
Nishi Hongwan-ji, temple, interior decoration, 154.
Nobuiye, Miyōchin, armourer, sword-guards, 263.
Nobunaga as an art patron, 150, 162.
Nobushige, painter, 35.
Nobutsune Nakai, sword-decorator, 279.
Nobuzane, painter, characteristics, 10.
Nogami Yataro, art-founder, 145.
Nomura Bunkyo, painter, 63.
Nomura family, sword-decorators, 286, 287.
Nude in art, Japanese attitude toward, 7, 125, 178, 180; Chinese attitude toward, 180.
Oda Noaki, sword-decorator, 310.
Ogata Gekko, chromo-xylographer, 51, 63.
Ogata Kwōrin, lacquerer, 346, 361.
Ogawa Ritsuō, lacquerer, 348, 362.
Ogawa Shōmin, lacquerer, 362.
Ohori Masatoshi, hammerer of metal, 312.
O-i. See Wong Wei.
Ojime, fashion, 173.
Okamoto family of Hagi, metal-carvers, 279, 374.
Okamoto family of Kyōtō, sword-decorators, 294, 374.
Okamura Masanobu, xylographer, 46, 48.
Okano Hohaku, figure-sculptor, 199.
Okano Kijiro, sword-decorator, 310.
Okazaki Sessei, art-founder, 145.
Omori family, sword-decorators, 292, 303, 306.
Omiva Yamato Bokunyu, mask-carver, 168.
Ono. See Jikan.
Ono Goroyemon, sculptor and founder of the Kamakura Daibutsu, 111.
Ooka Shunboku, xylographer, 46.
Oshima Katsujiro, art-founder, 144.
Oshima Yasutaro, art-founder, 144.
Ouishi, art-founder, 138.
Patina, of bronze, 126, 127, 372; of Japanese alloys, 233, 235; of copper, 236, 372; of iron, 237; of pewter, 317.
Perspective, in Japanese pictures, 4, 15, 58; in Chinese pictures, 22, 25.
Pewter, composition, 317; use, 317; patina, 317.
Pictorial art, Japanese, character, 2; decorative purpose, 3, 6; effect of purpose on characteristics, 4, 32; impressionistic, 5; motion, 6; exclusion of the nude, 7; ignorance of anatomy, 8; influence of ideographs, 8, 11, 31; styles of touch, 9; manual dexterity, 9–11; materials, 11; position of the artist while painting, 12; mannerisms, 13; multiplication of copies, 13; effect on criticism of inaccessibility of originals, 14; character of religious paintings, 15, 23, 30; relation to Chinese, 16, 21–24, 26, 37–40; influence of Buddhism, 17, 29; beginning of secular, 27–29; continued precedence of religious, 29, 30; technique of religious and secular, 31; first native school of secular, 31; Yamato school, 32, 33; Tosa school, 34; Kose or Classical school, 34; Takuma school, 35; objects of the work of these schools, 36; caricatures, 36; renaissance of Chinese influence, 37–41; periods in development, 41; development of the decorative mode, 42; reaction against the Classical school, 43; genre painting and the Popular school, 44; development of wood-cuts and coloured prints, 45–51; analysis of the work of the Popular school, 55–59; branches of the Popular school, 59–62; present conditions, 62–64; effect of Western ideas, 64–68; in architectural decoration, 151–155, 158; ancient distemper painting, 152; no frescos, 152; no portraits, 368. See also Fine arts.
Picture-galleries, why none in Japan, 4, 14.
Popular school of pictorial art, development of genre, 44; development of xylography, 45–51; Occidental popularity, 55; use of colour, 56; drawing, 57–59; absence of texture painting, 58. See also Pictorial art.
Portraits, statue, 115; no pictorial, 368.
Puppets of Nara. See Nara ningyo.
Raijo, sculptor, 110.
Refining metals, Japanese process, 371.
Rein, J. J., on patina, 372.
Relief, early designs in, 72; in bronze castings, 140; origin and development in metal-carving, 220, 249, 261; varieties in metal carving, 241; in lacquer, 344.
Religious paintings, Japanese, 15, 23, 29, 30; technique, 31. See also Buddhism.
Renjō, Goto, sword-decorator, 223.
Repoussé, process in early statutes, 75; in sword-decoration, 220. See also Relief.
Ri-fu-ho, traditional carver, 193.
Rihei, Yamamoto, lacquerer, 362.
Riuki. See Nogami.
Riumin, sword-decorator, 310.
Riyoyei, Iwamoto, sword-decorator, 303.
Rōben, artist-priest, 86.
Rwaiken, sculptor, 116.
Ryōkin, wood-carver, 46.
Sadahisa, sword-decorator, 310.
Sage-mono, money-pouch, 169–171; tobacco outfit, 171, 187–191; medicine-box, 173, 186; origin of the netsuke, 174–176; its decoration, 176–186; en suite designs, 191.
Saicho. See Dengyō Daishi.
Sairen, mask-carver, 166.
Sanehisa, Nagoshi, art-founder, 138.
Sanko, mask-carver, 165.
Sanraku, painter, 42.
Sansei-sha, firm of art-founders, 144.
Sanshō, Nagoshi, art-founder, 138.
Screen painting, 3.
Sculpture, Japanese, question of foreign influence, 19, 76, 78, 89, 193; superiority, 20; primitive conditions, 75; first sculptors, 76; wooden images by Tori and Shotoku, 77; bronze statues of seventh century, 79, 80; sculptors of the seventh century, 80; early culmination in Nara epoch, 80, 83, 85–89; influence of Buddhism, 82, 83, 106, 117–125; clay and dry-lacquer statues, 84; stone statues, 90–96; character of Heian epoch, 106–109; sculptors of the Heian epoch, 109; character of Military epoch, 110–115; portrait, 114, 115; sculptors of the Military epoch, 116; narrow range of motives, 123; the nude ignored, 125, 180; relation of the sculptor and bronze-caster, 148; development of wood-carving in interior decorations, 149–151, 154–161; mask carving and carvers, 164–168; of the netsuke, 176–186, 193; of the inro, 186; of the pipe-case, 190; origin of netsuke carving, 193–196; figure, 197–200; modern realism, 200; modern Kōun school of wood-carvers, 201–203; skill and demand in modern wood-carving, 203; Japanese knowledge of lights in, 315; training of sculptors, 319–321; source of designs, 321. See also Bronze, Fine arts, Sword-furniture.
Seiami, lacquerer, 345, 361.
Seichō, sculptor, 110.
Seigai Kanshichi, lacquerer, 362.
Seimin, art-founder, 142.
Senshiu Yoriyoshi, mask-carver, 168.
Senshu Yashamaru, mask-carver, 168.
Senyen, sculptor, 116.
Sesshiu, painter, 40.
Seventh Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
Shadows. See Light and shade.
Shakudo alloy, composition, 232, 233; antiquity, 232; properties, 233.
Shakuzuru, mask-carver, 165.
Shiba Tachito, sculptor, 76; builds temples, 76.
Shiba Tasu-na, sculptor, 76.
Shiba Tori. See Tori Busshi.
Shibara Ichidayu, lacquerer, 361.
Shibata Zeshin, lacquerer, 349, 362.
Shibayama Doshō, lacquerer, 357, 363.
Shibuichi, composition, 234; properties, 235; antiquity, 235.
Shibuichi-doshi, process in metal-work, 314.
Shichirozayemon, founder, 136.
Shigehiro, Yoshioka, metal-carver, 283, 284.
Shigemitsu, Omori, sword-decorator, 292.
Shigetsugu, Yoshioka, metal-carver, 283, 284.
Shigeyoshi, Umetada, sword-decorator, 267.
Shigeyoshi (Meishin), Umetada, sword-decorator, 268.
Shigeyoshi (Miyōju), Umetada, sword-decorator, 267.
Shi-jo school of pictorial art, 59. See also Pictorial art.
Shikongō, clay statue of, in temple Todai-ji, 86.
Shimizu Rinkei, mask-carver, 166.
Shinkai Takejiro, wood-carver, 202.
Shirayama Shōya, lacquerer, 363.
Shishō Daishi, sculptor-priest, 109.
Shitan wood, properties and use, 369.
Shōami Masanari, lacquerer, 362.
Shōami Masanobu, inlayer, 273.
Shōami Nagatsugu, inlayer, 273.
Shōbei, Yamamoto, lacquerer, 361.
Shōga Shiubun, painter, 37, 40.
Shōkaku. See Oshima Katsujiro.
Shōko, Iwamoto, sword-decorator, 303.
Shōkwasai, lacquerer, 363.
Shōsō-in collection of objects of applied art, 19, 87–89.
Shotoku, Prince, character, 77; as a sculptor, 77.
Shōun, decorative-sculptor, 161.
Shōun, mask-carver, 166.
Shōyemon, Nomura, sword-decorator, 287.
Shōzui. See Masayori.
Shuncho, chromo-xylographer, 50.
Shunkei, sculptor-priest, 116.
Shunshō, Yamamoto, lacquerer, 361.
Shunzui, Hamano, sword-decorator, 303.
Shuraku, sword-decorator, 310.
Shuzan. See Tosa Mitsuoki.
Shuzui, Hamano, sword -decorator, 303.
Silver, use in Japanese art, 231; surfacing debased, 231, 372.
Silver Pavilion, decoration, 153.
Soami Hisatsugu, mask-carver, 166.
Soami family, sword-decorators, 269.
Sohaku, Kōami, lacquerer, 345, 361.
Sōjō, Goto, sword-decorator, 220, 222.
Sōju. See Shigetsugu.
Sojukō, Goto, sword-decorator, 222.
Sokei, Kōami, lacquerer, 345, 361.
Sōkō, Hirata, hammerer of metal, 312.
Somin, art-founder, 143.
Sōmin, Yokōya, sword-decorator, 274–276.
Sōtoku. See Shigehiro.
Sōyo, Yokoya, sword-decorator, 274.
Sozen, Kōami, lacquerer, 345, 361.
Statues. See Bronze, Sculpture.
Stone statues, mediocre, 90, 93; unsatisfactory material, 91, 96; Japanese skill, 92; ancient monument, 92; buried effigies, 93; images, 94–96.
Suggestion in Japanese pictures, 5; in Chinese pictures, 23.
Sukezaemon. See Jikan Yoshimitsu, Yukan Mitsuyasu.
Sumptuary laws on chromo-xylographs, 51.
Sung dynasty, China, character of its pictorial art, 22.
Surfacing debased metals, 231, 371.
Suwara Yasugoro, art-founder, 144.
Suzuki Harunobu. See Harunobu.
Suzuki Gcnsuke, hammerer of metals, 312; originates process of insertion, 313.
Suzuki Chōkichi, art-founder, 145.
Suzuki Kichigoro, invents antimony ware, 318.
Suzuki Kinyemon, sword-decorator, 303.
Sword-furniture, Japanese, early decoration, 74; skill in decorating, 207; character of decoration, 208; articles, 210, 211, 217–219, 250, 251; Japanese commentary on decoration, 212–225; Goto family of decorators, 212, 219–225, 252–261; identification of decorators, 212, 213, 219; styles of metal ground, 213, 238–241; grades of decorators, 214; high ideals of master carvers, 215, 216; antiquity of decoration, 217; technical skill and motives in decoration, 227–229, 252–260, 288; chisels used, 229; metals employed, 230, 232, 236; methods of chiselling, 241–243, 247, 274; inlaying, 243–245, 272; graining, 245–247; beginning of relief carving, 249; early field of decoration, 250–252; development of guard decoration, 261–265; decoration in the sixteenth century, 266–270; decoration in the seventeenth century, 270–286; enamel decoration, 285, 332; decoration in the eighteenth century, 286–296; decoration in the nineteenth century, 296–303, 308–311; termination of production, 297; social influence on decoration, 304–306; specimens of nineteenth-century work, 306–308; guild, 310. See also Metal-work.
Swords, bronze, 71; iron, 72; varieties, 209; disappearance of samurai, 297. See also Sword-furniture.
Symmetry, axiom of, in art, 20.
Tachibana no Morikumi, xylographer, 46.
Taiami, lacquerer, 345, 360.
Takaichi Makuni, sculptor, 81.
Takaichi Mamaro, sculptor, 81.
Takamura Kōun, sculptor, 201; school, 201.
Takao-maro, sculptor, 109.
Takashima Takakane, painter, 34.
Takatsune, Soami, sword-decorator, 269.
Takayoshi, Miyōchin, armourer, 263.
Taki Katei, painter, 63.
Takioka family, puppet-makers, 370.
Takuma Tamenari, painter, school, 35; religious pictures, 35.
Takuma school of pictorial art, 35. See also Pictorial art.
Takusai, art-founder, 144.
Tamakaji Zokoku, lacquerer, 362.
Tancho, decorative-sculptor, 161.
Tang dynasty, China, character of its pictorial art, 22.
Tankai Rishi, mask-carver, 166.
Tari-maro, sculptor, 109.
Taroyemon. See Naka.
Tatsuki Chōbei, lacquerer, 361.
Tea-ceremonial, Hideyoshi's influence, 136; urns, 136.
Teijō, art-founder, 143.
Teijō, Goto, sword-decorator, 222.
Temmin, sword-decorator, 310.
Tenaka Kiyohisa, sword-decorator, 310.
Teruhide, Omori, sword-decorator, 292.
Terumasa, Omori, sword-decorator, 292.
Terumoto, Omori, sword-decorator, 303.
Tetsugen. See Naoshige (Okamoto.)
Texture not shown in Japanese pictures, 59.
Theatre, influence of the No dance, 164.
Third Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
Toba Sojō. See Kakuyu.
Tobacco, introduction, 171; clubs, 171; early pipes, 172; modern fashion in outfit, 172, 187–191; en suite decoration of outfit, 191. See also Sage-mono.
Tohaku Mitsutaka, Dcme, mask-carver, 167.
Tokei, sculptor, 116.
Tokugawa epoch, influence on art, 43, 139, 270.
Tokujō, Goto, sword-decorator, 221.
Tokuwaka Tadamasa, mask-carver, 165.
Tomi Yeisuke, art-founder, 145.
Tomochika, Omori, sword-decorator, 303.
Tomoharu, Okamoto, sword-decorator, 279.
Tomotsugu, Okamoto, sword-decorator, 279.
Tomotsune, Nakai, sword-decorator, 279.
Tomotsune, Omori, sword-decorator, 303.
Tomoyuki, Nakai, sword-decorator, 279.
Tori Busshi, sculptor, skill, 76, 77; wooden statues, 77.
Torii family, chromo-xylographers, 48, 50.
Toriusai. See Okano Kijiro.
Tōrō, development of casting, 140.
Tosa Mitsuoki, netsuke carver, 195.
Tosa school of pictorial art, 34–36. See also Pictorial art.
Toshiharu, Nara, sword-decorator, 276.
Toshihisa, Nara, sword-decorator, 276, 374.
Toshinaga, Nara, sword-decorator, 277.
Toshiteru, Nara, sword-decorator, 276.
Tosui Mitsunori, Deme, mask-carver, 167.
Tōun, art-founder, 143.
Toun Yasutaka, Deme, mask-carver, 167.
Toyoda Kokō, metal-worker, achievements, 313, 314.
Toyoharu, Utagawa, chromo-xylographer, 50.
Toyokuni, Utagawa, chromo-xylographer, 50.
Toyonobu, Utagawa, chromo-xylographer, 50.
Tsuji family, sword-decorators, 285.
Tsujō, Goto, sword-decorator, 222, 223.
Tuke, S., on the chromo-xylograph process, 52–55.
Uchino Harutoshi, sword-decorator, 309.
Umetada family, swordsmiths and decorators, 267, 282.
Unga, sculptor, 116.
Unkei, sculptor, 111; his Deva Kings, 113; his Watch Dogs, 113.
Unshō, sculptor, 116.
Untaro. See Toun Yasutaka.
Utagawa family, chromo-xylographers, 50.
Uwo Hyoye, mask-carver, 166.
Uyematsu Hōmin, lacquerer, 363.
Uyemura family, sword-decorators, 286.
Wakabayashi family, sword-decorators, 286.
Watanabe Hisamitsu, sword-decorator, specimen of his work, 308.
Watanabe Kwazan, secretly studies Occidental methods, 66; ordered to commit suicide, 66; commemoration, 66; Western influence on his paintings, 67.
Watanabe Seitei, painter, 51, 63; influence of Western methods on, 68.
Weapons, bronze, 71. See also Sword.
Wong Wei, Chinese painter, 22.
Wood, development of wood-engraving, 45–47, 367; development of chromo-xylographs, 48–51; technique of chromo-xylographs, 51–55; early wooden statues, 76–78; Nara-epoch statue, 87; Heian-epoch statues, 108; the Deva Kings, 112; favourite material for statues, 117; carving in interior decoration, 150, 154–158; carved masks, 163, 165; netsuke carvings, 177; puppets, 194, 197–200; modern carving, 200–204.
Wu Tao-tsz, Chinese painter, 22.
Xylography. See Wood.
Yakushi, sculptor, 80.
Yakushi, seventh-century bronze statue of, 79.
Yamagawa Koji. See Koji.
Yamamoto Fukumatsu, figure-sculptor, 201.
Yamamoto family, lacquerers, 361, 362.
Yamato Mamori, mask-carver, 168.
Yamato school of pictorial art, 32, 34–36. See also Pictorial art.
Yasha, mask-carver, 165.
Yashichiro, Nagoshi, founder, invents tea-ceremonial urn, 136; honours, 137.
Yasuchicka, Nara, sword-decorator, 276.
Yasuchika Shinsuke, sword-decorator, 303.
Yasui family, sword-decorators, 286.
Yasuiye, Jiyemon, art-founder, 141.
Yasuteru, Jiyemon, art-founder, 141.
Yechizen. See Toshiharu.
Yeijiro. See Ichijo.
Yeijō, Goto, sword-decorator, 221.
Yeishi, chromo-xylographer, 50.
Yeishi, Iwamoto, sword-decorator, 303.
Yenchin, artist-priest, 29.
Yenjō, Goto, sword-decorator, 224.
Yoji Hidetsugu, lacquerer, 361.
Yōjuro. See Nakayama Shōyeki.
Yokoya family, sword-decorators, 274, 305.
Yoneharu Unkai, sculptor, 202.
Yosei, lacquerer, 363.
Yoshimichi, Miyōchin, armourer, 263.
Yoshinari, mask-carver, 165.
Yoshinori, Mizuno, sword-decorator, 272.
Yoshioka Tadatsuga, sword-decorator, 310.
Yoshisato, Ishiguro, sword-decorator, 302.
Yoshishige, sword-decorator, 272, 374.
Yoshitsugu, Akao, sword-decorator, 281.
Yoshitsune, Ishiguro, sword-decorator, 302.
Yoshitsune, Minamoto, his armour, 205.
Yujō, Goto, sword-decorator, 217, 218, 220, 222; and relief carving, 249; field, 250, 251; skill, 252; specimens of his work, 255, 256, 258.
Yukan Mitsuyasu, Deme, mask-carver, 167.
Yusai Yasuhisa, Deme, mask-carver, 167.
Yuzayemon, wood-carver, 150.
Zenriusai Gido. See Suwara.
Zenshō, Nagoshi, art-founder, 138.
Zuiyetsu. See Iyemasa.

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